Étienne-Jules Ramey

Étienne-Jules Ramey (24 May 1796 – 29 October 1852), called Ramey fils, was a French sculptor.

Ramey's Theseus and the Minotaur, 1826 Jardin des Tuileries, Paris

Biography

Ramey was born in Paris. The pupil of his father, Claude Ramey (1754–1838), he also trained in the studio of Pierre Cartellier.[1] He won the Prix de Rome in sculpture in 1815 with the subject, equally classicizing and sentimental, Ulysses recognized by his dog.[1] He collaborated with David d'Angers on the sculptures for the triumphal arch at Marseille, the Porte d'Aix, 1828 to 1839.

He worked in partnership with Augustin-Alexandre Dumont and taught at the École nationale supérieure des Beaux-Arts in Paris. His pupils included the sculptors Guillaume Geefs, Jean-Joseph Perraud, and Amédée Ménard. He died in Paris.

His careful, mannered drawings appear on the market from time to time.[2]

Selected works

Thésée combattant le Minotaure (1826), limestone group, Jardin des Tuileries, Paris
Saint Luc, limestone Paris, peristyle of the rear façade of the Église de la Madeleine
Saint Pierre and Saint Paul, limestone, Paris, Église Saint-Vincent-de-Paul, place Franz-Liszt

Notes

Plaster model exhibited The legacy of Homer (Emmanuel Schwartz, curator) École nationale supérieure des beaux-arts (France), Dahesh Museum of Art, Princeton University (2005-06), cat no. 78.
"a careful drawing by the sculptore, Etienne Jules Ramey, which recalls the work of Ingres at its most mannered" was noted in a review by J. J. L. Whiteley of an exhibition at Hazlitt, Gooden & Fox (London) and illustrated (fig. 72, "Aconce et Cydippe") in The Burlington Magazine 125 No. 965 (August 1983), pp. 506f.

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[schwartz-1] Plaster model exhibited The legacy of Homer (Emmanuel Schwartz, curator) École nationale supérieure des beaux-arts (France), Dahesh Museum of Art, Princeton University (2005-06), cat no. 78.

[2] "a careful drawing by the sculptore, Etienne Jules Ramey, which recalls the work of Ingres at its most mannered" was noted in a review by J. J. L. Whiteley of an exhibition at Hazlitt, Gooden & Fox (London) and illustrated (fig. 72, "Aconce et Cydippe") in The Burlington Magazine 125 No. 965 (August 1983), pp. 506f.