Šárka (Fibich)

Šárka
	Opera by Zdeněk Fibich
	The composer before 1900
Librettist	Anežka Schulzová
Language	Czech
Based on	Bohemian legend of Šárka
Premiere	28 December 1897; National Theatre, Prague

Šárka, opus 51, is an opera in three acts by Zdeněk Fibich to a Czech libretto by Anežka Schulzová, his student and lover. Fibich composed the full score over the period of 8 September 1896 to 10 March 1897.[1] At the time, Czech audiences regarded Fibich with suspicion as being overly influenced by the music of Richard Wagner, and Fibich had selected the legend of Šárka for this operatic subject to try to counter such sentiments. Even so, the opera still contains use of Wagner's idea of leitmotif.[2]

The subject matter, the Bohemian legend of Šárka, which appears in 14th-century Czech literature, is related to that of Smetana's tone poem Má vlast and the opera of the same name by Janáček. Schulzová used as her primary literary source an 1880 version of the story by J. Vrchlický.[2]

Performance history

The opera received its first performance at the Prague National Theatre on 28 December 1897. Šárka is Fibich's most popular opera and is regularly revived in the Czech Republic.

There are two archive radio recordings (1950, 1970) and three commercial recordings:

Marie Podvalová (Šárka), Lubomír Havlák (tenor Ctirad), cs:Václav Bednář (Prince Premysl), Marta Krásová (Vlasta), Milada Šubrtová (Libyna), Miloslava Fidlerová (Svatava), Jaroslava Vymazalová (Mlada), Ludmila Hanzalíková (Radka), Marie Zalabáková (Hosta), Jaroslava Dobrá (Castava) & Jaroslav Veverka (Vitoraz). Prague National Theatre Chorus and Orchestra, conducted by Zdeněk Chalabala. Supraphon 1953
Eva Děpoltová (Šárka), Vilém Přibyl (Ctirad), Václav Zítek (baritone, Prince Premysl), Jaroslavá Janska (soprano, Libina), Bozena Effenberkova (soprano, Svatava), Jitka Pavlová (soprano, Mlada), Anna Barová, (mezzo, Radka), Véra Bakalová (alto, Hosta), Daniela Suryova (alto, Castava), Eva Randová (mezzo soprano, Vlasta), cs:Josef Klán (bass, Vitoraz). Brno State Philharmonic Orchestra, Brno Janáček Opera Chorus Conductor Jan Štych. Supraphon 1978[3][4]
Eva Urbanová (Šárka), Janez Lotrič (tenor, Ctirad), Dalibor Jenis (Prince Premysl), Ida Kirilová (Vlasta), Simona Šaturová (Libyna), sk:Adriana Kohútková (Svatava), Klaudia Dernerová Mlada; (mezzo) Hana Minutillo Radka; Marta Beňačková (Hosta), Adriana Hlasová (Castava) & Vladimir Kubovcik (Vitoraz). Vienna Concert Choir; Vienna Radio Symphony Orchestra conducted Sylvain Cambreling. Orfeo 2001 Live[5]

Roles

Role	Voice type	Premiere cast, 28 December 1897 (Conductor: Adolf Čech)
Ctirad	tenor	Bohumil Pták
Premysl	baritone	Václav Viktorin
Sárka	soprano	Růžena Maturová
Vitoraz	bass	Václav Kliment
Vlasta	mezzo-soprano	Anna Veverkova-Kettnerová
Libyna	soprano
Svatava	soprano
Mlada	soprano
Radka	mezzo-soprano
Castava	contralto
Hosta	contralto

References

Abraham, Gerald, The Operas of Zdeněk Fibich (Autumn 1985). 19th-Century Music, 9 (2): pp. 136–144.
Smaczny, Jan, "The Operas and Melodramas of Zdenĕk Fibich (1850–1900)" (1982–1983). Proceedings of the Royal Musical Association, 109: pp. 119–133.
The Penguin Guide to Recorded Classical Music 2008 -Page 458 " The Supraphon version dates from 1978, with warmly atmospheric analogue sound. Its great strength is the idiomatic conducting of Jan Stych, even though Eva Depoltavi in the title-role is less characterful than Urbanova on Orfeo."
Peter Hugh Reed The American Record Guide 1981- Page 16 "FIBICH: Sarka Vaclav ZItek (Prince Pfemysl); Vilem Pfibyl (Citirad); Josef KMn (Vitoraz, A Priest); Eva Depoltova (Sarka); Eva Randova (Vlasta); Jaroslava Janska (Libina); Bozena Effenberkova (Svatava); Jitka Pavlova (Mlada); Anna Barova (Radka) Notes, text and translation included
The Gramophone 2001 Fibich Sarka Dalibor Jenis bar Prince Pfemysl; Janez Lotric ten Ctirad; Vladimir Kubovcik bass Vitoraz; Ida Kirilova mez Vlasta; Eva Urbanova sop Sarka; Simona Saturova sop Libyna; Adriana Kohutkova sop Svatava; Klaudia Dernerova sop... 2 C5410O2H (133 minutes: DDO) Notes, text and translation included. ... Sylvain Cambreling conducts a strong and purposeful performance, recorded live in good, well-balanced radio sound - complete with applause at the ends of acts. It may not always be as idiomatic as the Czech version on Supraphon, but the impact is just as great.

External links

Casaglia, Gherardo (2005)."Šárka, 28 December 1897". L'Almanacco di Gherardo Casaglia (in Italian).

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[1] Abraham, Gerald, The Operas of Zdeněk Fibich (Autumn 1985). 19th-Century Music, 9 (2): pp. 136–144.

[Smaczny-2] Smaczny, Jan, "The Operas and Melodramas of Zdenĕk Fibich (1850–1900)" (1982–1983). Proceedings of the Royal Musical Association, 109: pp. 119–133.

[3] The Penguin Guide to Recorded Classical Music 2008 -Page 458 " The Supraphon version dates from 1978, with warmly atmospheric analogue sound. Its great strength is the idiomatic conducting of Jan Stych, even though Eva Depoltavi in the title-role is less characterful than Urbanova on Orfeo."

[4] Peter Hugh Reed The American Record Guide 1981- Page 16 "FIBICH: Sarka Vaclav ZItek (Prince Pfemysl); Vilem Pfibyl (Citirad); Josef KMn (Vitoraz, A Priest); Eva Depoltova (Sarka); Eva Randova (Vlasta); Jaroslava Janska (Libina); Bozena Effenberkova (Svatava); Jitka Pavlova (Mlada); Anna Barova (Radka) Notes, text and translation included

[5] The Gramophone 2001 Fibich Sarka Dalibor Jenis bar Prince Pfemysl; Janez Lotric ten Ctirad; Vladimir Kubovcik bass Vitoraz; Ida Kirilova mez Vlasta; Eva Urbanova sop Sarka; Simona Saturova sop Libyna; Adriana Kohutkova sop Svatava; Klaudia Dernerova sop... 2 C5410O2H (133 minutes: DDO) Notes, text and translation included. ... Sylvain Cambreling conducts a strong and purposeful performance, recorded live in good, well-balanced radio sound - complete with applause at the ends of acts. It may not always be as idiomatic as the Czech version on Supraphon, but the impact is just as great.