Aben Kandel

Born in Berlad, Romania, Kandel came to the United States as a child and was educated at New York University and its law school. He served in the U.S. Army during World War I and later enlisted in the U.S. Coast & Geodetic Survey.[1]

He began writing novels in 1927 and wrote two hit plays Hot Money (1931) that was filmed as High Pressure (1932) and Hot Money (1936), and translated a German play Die Wunderbar by Geza Herczeg and Karl Farkas together with Irving Caesar where the pair added their own songs calling at The Wonder Bar that was acquired by Al Jolson and filmed in 1934.[2] One of Kandel's unpublished short stories So, You Won't Sing, Eh? was filmed as Sing and Like It (1934). Kandel began writing Hollywood stories and screenplays with Manhattan Moon (1935). His novel City for Conquest (1936), based on some of his experiences as a boxer was made into a James Cagney feature in 1940.

Kandel began writing for American television in 1950 whilst continuing to write screenplays and novels.

In 1957 he began writing several lurid screenplays for producer Herman Cohen who he had written Kid Monk Baroni for. Cohen and Kandel collaborated on such classic films such as I Was a Teenage Werewolf, I Was a Teenage Frankenstein, Blood of Dracula (all 1957), How to Make a Monster (1958), Horrors of the Black Museum and The Headless Ghost (both 1959), Konga (1960), Black Zoo, (1963), Berserk! (1967, that he also co-produced), Trog (1970), and Craze (1974). As Kandel was involved in writing prestigious film scripts for major film studies such as MGM and Warner Bros. he used pseudonyms such as Ralph Thornton and Kenneth Langtry.[3]

Kandel had two children, a son, Stephen and daughter, Lenore. He died of heart failure at the Motion Picture and Television Hospital.[4]

• Vaudeville (1927)
• Black Son (1929)
• Ex-Baby (1930)
• Rabbi Burns (1931)
• City of Conquest (1936)

• N.Y. Times obituary: "Aben Kandel, Screenwriter, 96"
• Aben Kandel at IMDb