Abraham van den Kerckhoven

A view of Brussels ca. 1610

The exact date and place of Kerckhoven's birth is unknown. It is likely that he was born around 1618. The Kerckhoven family, which was active in Brussels as early as the late 16th century, included many distinguished artists, singers, and organists; several Kerckhovens served at the royal chapel, and many were organists at local churches.

From about 1632 Abraham was working in Brussels as second organist at the Church of Saint Catherine (Sint-Katharinakerk or Sint-Katerijnekerk), and in 1634 he became first organist of the same church, succeeding one François Cornet. Kerckhoven held the position for almost 70 years, until his death in late 1701. He was apparently able to combine it with working as chamber organist for Archduke Leopold Wilhelm of Austria from 1648 to 1656, and as court organist from 1656 to 1684 (and possibly for some time after 1684). When he worked as chamber organist, his salary was small compared to other chamber musicians, and his services were probably not called upon too frequently; however, as court organist he received a much larger salary and was almost definitely first organist. There still exists some small doubt over whether Abraham the court organist and Abraham the organist of Saint Catherine's are the same person. The latter, at any rate, died around Christmas 1701, and was buried on 9 January 1702; the records of the funeral service only refer to him as the church's organist.

Kerckhoven married one Joanna "Jenno" Baert in Brussels, in 1646. They had ten children, and at least three became musicians. Jan (Jan-Baptist, Joannes, or abbrev.: Joes.), the eldest son, worked as court singer and organist in Brussels from 1703 to 1707. He is recorded as singer at Saint Catherine's in 1691 and succeeded his father as organist of the same church in 1702. Finally, Philips (Jan-Philips) is recorded as singer at Saint Catherine's in 1707.

Most of his works were found in 1905 in a hand-written volume of organ pieces dated 1741 and compiled by Jacobus Ignatius Josephus Cocquiel, organist and priest of Sint-Vincentiuskerk in Soignies. This manuscript is sometimes referred to as the Cocquiel manuscript and is currently in possession of the Bibliothèque Royale Albert I in Brussels, catalogue number Ms II 3326. Kerckhoven's works were published for the first time in 1933 by J. Watelet as the second volume of the Monumenta musicae Belgicae series; in 1982 a facsimile of the Cocquiel manuscript was published with an introduction by Godelieve Spiessens, and this edition is commonly used now.

Kerckhoven's surviving oeuvre consists mostly of organ pieces: fantasies, fugues, preludes, mass settings and other works. His music is influenced by Italian and French styles; fugues and fantasias are reminiscent of Johann Jakob Froberger and quite a few pieces contain typical French registration indications: pieces for plein-jeu, fantasies pour cornet, for cromorne or dessus de tierce. Sectional preludes with alternating free and imitative counterpoint, harmonically rich and expansive, are reminiscent of the northern German organ tradition.

• Orgelmuziek van Abraham van den Kerckhoven e.a in facsimile uitgegeven naar het handschrift in de Koninklijke Bibliotheek te Brussel. Introduction by Godelieve Spiessens. "Documentatiecentrum voor Orgel", Vleeshouwersstraat 23, B-8480 Veurne (Belgium), Veurne 1982.
• Willi Apel. The History of Keyboard Music to 1700, pp. 768–70. Translated by Hans Tischler. Indiana University Press, 1972. ISBN 0-253-21141-7. Originally published as Geschichte der Orgel- und Klaviermusik bis 1700 by Bärenreiter-Verlag, Kassel.
• Ferrard, Mary Armstrong (2001). "Abraham van den Kerckhoven". In Root, Deane L. (ed.). The New Grove Dictionary of Music and Musicians. Oxford University Press. ‎

• Free scores by Abraham van den Kerckhoven at the International Music Score Library Project (IMSLP)