Académie des Inscriptions et Belles-Lettres

Institut de France in Paris, the seat of the Académie des Inscriptions et Belles-Lettres

The Académie originated in 1663 as a council of four humanists, "scholars who were the most versed in the knowledge of history and antiquity": Jean Chapelain, François Charpentier, Jacques Cassagne, Amable de Bourzeys, and Charles Perrault.[1] In another source, Perrault is not mentioned, and other original members are named as François Charpentier and a M. Douvrier.[2] The organizer was King Louis XIV's finance minister Jean-Baptiste Colbert. Its first name was the Académie royale des Inscriptions et Médailles, and its mission was to compose or obtain Latin inscriptions to be written on public monuments and medals issued to celebrate the events of Louis' reign. However, under Colbert's management, the Académie performed many additional roles, such as determining the art that would decorate the Palace of Versailles.[3]

In 1683 Minister Louvois increased the membership to eight.[2] In 1701 its membership was expanded to 40 and reorganized under the leadership of Chancellor Pontchartrain. It met twice a week at the Louvre, its members began to receive significant pensions, and was made an official state institution on the king's decree.[4] In January 1716 it was permanently renamed to the Académie royale des Inscriptions et Belles-Lettres with the broader goal of elevating the prestige of the French monarchy using physical symbols uncovered or recovered through the methods of classical erudition.

The Académie produced a catalogue of medals created in honor of Louis XIV, Médailles sur les événements du règne de Louis le Grand, avec des explications historiques, first published in 1702. A second edition was published in 1723, eight years after Louis' death. Each page of the catalogue featured engraved images of the obverse and reverse of a single medal, followed by a lengthy description of the event upon which it was based.[5] The second edition added some medals for events prior to 1700 which were not included in the first volume, and in some cases the images of medals in the earlier edition were altered, resulting in an improved version. The catalogues may therefore be seen as an artistic effort to enhance the king's image, rather than as an accurate historical record.[6]

In the words of the Académie's charter, it is:

primarily concerned with the study of the monuments, the documents, the languages, and the cultures of the civilizations of antiquity, the Middle Ages, and the classical period, as well as those of non-European civilizations.

Today the academy is composed of fifty-five French members, forty associate foreign members, fifty French corresponding members, and fifty foreign corresponding members. The seats are distributed evenly among "orientalists" (scholars of Asia and the Islamic world, from ancient times), "antiquists" (scholars of Greece, Rome, and Gaul, including archaeologists, numismatists, philologists and historians), "medievalists", and a fourth miscellaneous group of linguists, law historians, historians of religion, historians of thought, and prehistorians.[4]

The Volney Prize is awarded by the Institut de France, based on the proposal of the Académie. It publishes Mémoires.

For a list of the Academy's members past and present, see Category:Members of the Académie des Inscriptions et Belles-Lettres

• Publications of the Académie des Inscriptions et Belles-Lettres (1710-1843)

• French art salons and academies

• Official website
• Notes on the Académie des Inscriptions et Belles-Lettres from the Scholarly Societies project