Africa Centre

The artist in residency programme is a collaboration with residencies in Australia, Brazil, Ethiopia, Finland, Netherlands, South Africa, Turkey and the United States of America in which the Africa Centre conducts an Africa-wide search for 13 (previously 10) artists each year, across disciplines, to participate in one of the collaborating residencies. The programme has been conceived to support artists from Africa who are provocative, innovative, relevant and highly engaged with both social issues and their art forms.

Badilisha Poetry Exchange 2010

Badilisha Poetry X-Change is a platform dedicated to showcasing poetry from Africa and the Diaspora. It is the only podcasting platform in the world dedicated to Pan-African poets. The Badilisha project started with live events in 2006 hosting 1–2 poetry festivals per year. Badilisha Poetry Radio launched on 30 April 2010 and presents new voices and poetic genres through its weekly podcasts of poets from Africa and the Diaspora. Currently there are more than 100 poets featured. "(Its) intention is to platform who and what Africa has to say to itself and the rest of the world."[4]

Infecting the City 2011

Infecting the City is a public art festival held annually in the central business district of Cape Town. For a week each year, 'Infecting the City' (ITC) turns Cape Town into a city-sized gallery exhibiting provocative, cutting-edge international and local public art works that resonate within the City's urban landscape. Infecting the City typically hosts three types of artworks: collaborative works, commissioned works, and audience interventions. These works are collectively presented free to the public in the communal spaces City. The Infecting the City vision is to develop public art that grapples with social issues pivotal to both the South African and more broadly the human condition, which are accessible to everyone living and working in the City. Since inception in 2008 it has been experienced by over 50,000 people, included 814 local and international artists, and showcased 81 different productions.

This project attempts to stake a claim to what African music is and can be. The Pan-African Space Station (PASS) includes an annual 30-day musical intervention through a free-form radio station and in unexpected venues across greater Cape Town. The idea behind the project is to embrace the lineages that shape music-making on and from Africa and to challenge the stereotypes associated with music from this continent. This project is not about connecting with African roots; it ls about exploring African cosmopolitanism in the 21st century through music.[5]

This project is a Pan-African initiative of experimental multi-disciplinary residencies, workshops, symposia, exhibitions, publications and performances centred on innovative, ethically driven approaches to urban space. The project involves a number of cities in Africa and beyond: Lubumbashi, Democratic Republic of the Congo; Aba, Nigeria; Touba, Senegal; Karachi, Pakistan; Dubai, UAE, and Guangzhou, China. Functioning as a triennial project, which started in 2008, its three-year thematic modules open ambits for exchange between participants and their audiences. The theme for the project is "Net/Works: Trans-Local Cultures in the Making of African Worlds." This theme is about cities and the art of the deal. Its starting point is an observation: cities in Africa today are crucibles of change, movement, imagination and visions for the future. Despite immense difficulties, not least of which massive infrastructural collapse, urban spaces across the continent are put to use by a wide variety of actors as mechanisms for constructing and renovating economies, cultures and selves. Through complex intersections of migration, commerce and related diasporic practices, they are emerging with increasing strength as platforms for cosmopolitan, highly prolific engagement by Africans with, through and across the globe. SPARCK through the lens of various artistic projects explores, debates, and manifests new ways of understanding this theme.www.sparck.org

The Spier Contemporary has been produced twice, both as an exhibition and as a competition in 2008 and 2010. It was conceived to provide a platform for South African visual and performance artists in every kind of medium, from the more traditional, such as painting and sculpture, to performance art and new media installations, to show their work, uncompromised by the limitations of technology, space and access. Artists in South Africa often work under extremely varied conditions and see the world from radically different perspectives. These differences shape the countries collective identity and unique social and cultural landscape. The Spier Contemporary has provided a platform for exploring South Africa's diversity, giving audiences insights into its complexity and thus contributing to South Africa's understanding of difference.

The core objectives of the Spier Contemporary were to: Create a large-scale national exhibition, which genuinely reflects the diversity of the visual and performance arts community living in South Africa; Develop new audiences and markets for artists, which do not normally have access to 30,000+ potential buyers; Access new audiences and develop their respective appreciation of a spectrum of artistic forms; and Provide training and development for visual and performing artists and curators.

The inaugural 2008 exhibition received over 2,500 artists submissions from around the country, exhibited 95 artists in Cape Town and Johannesburg and hosted 25,000 visitors. The 2010 exhibition received over 2,700 artists submissions, exhibited 101 artists, attracted over 20.000 people in Cape Town. The winning artworks selected as part of the competition in 2010 toured four cities in South Africa and attracted 23,000 people.[6][7]

Talking Heads is a multi–layered, knowledge-sharing platform that was conceived to identify, showcase and expose Africa's thought leaders. It profiles the ideas, visions and manifestations of experts, mavericks and extraordinary people living in Africa. The project has multiple dimensions, but the two primary parts are Talking Heads Live and Media. The Live events are designed to provide participants with the opportunity to have an intimate 20-minute conversation (two audience members and one expert per table) with four different experts. Each event includes 40–50 experts ranging from cosmologists, economic forecasters, futurists, to sex worker activists and nuclear physicists, a real Wikipedia evening of Africa's thought leaders. The Media component takes the benefits of the Live events to a broader audience by creating mini-documentaries of compelling participants from the Talking Heads live events. These mini-documentaries are filmed and edited in such a way as to bring to life the information and expertise present from Africa's thought leaders to the broadest pool of people possible.[8]