Bambara (band)

In Athens, Georgia, twin brothers Reid and Blaze Bateh formed Bambara with schoolmate William Brookshire in 2009. They chose the name Bambara as a reference to the character of the same name from the animated television series Æon Flux.[2] They moved to Brooklyn, where they would sign with Arrowhawk Records in 2013. Bambara recorded their album Dreamviolence from their basement apartment before releasing it in April of that same year.[3] Their music was labeled as noise-rock in part due to their use of machines, loops, and other assorted lo-fi software.[4]

By mid-2014, the band nearly finished their full-length LP Swarm, but had their computer stolen with all of the tracks they had recorded up until that point. This resulted in a delay for the album as the band took a break before re-recording the stolen tracks. Bambara recorded and released an experimental EP of pure noise titled Night Chimes in August 2015.[5] The band stated that the EP helped get the noise "out of their systems" which helped in creating a more toned down version of the abrasive sounds of Swarm when the time came to re-record it.[6] The album was released on April 1, 2016. According to Zoë Beery of The Village Voice, Swarm showcased the band's trademark atmosphere through long reverb and distorted guitars, but with clearer production to showcase the musicality as well as Reid Bateh's vocals.[7]

Their follow up to Swarm, entitled Shadow on Everything and released through Wharf Cat Records, continued this style for the band by restraining the noise experimentation while also incorporating a Western Gothic concept.[8] The album follows a loose story of characters reciting eerie tales to each other at a dive bar.[9] Critical reception for the album was positive.[6][10]

Following the release of Shadow on Everything in April 2018, the band embarked on a European tour in support for the album before going on an American tour in support of IDLES.[11]

Their time on the road continued into 2019 as they announced an East Coast tour in support of Daughters.[12][13]

Their style has been described as noise rock and post-punk.[6] Noisey's Colin Joyce described the songs as "chaotic" and "being held together with formless washes of noise and anxious vocal drones."[6] Marcos Hassan from Tinymixtapes listed the severity of Swans and the "depraved cabaret mold" of The Birthday Party as the sound they've been honing together.[5] Reid Bateh has mentioned the films of Wong Kar Wai and David Lynch and the moods portrayed in them as influences on their sound. Bateh also cited the Southern Gothic themes from the writings of Flannery O'Connor[7] and Bruno Schulz[5] as influences on the themes in Swarm.

• Bandcamp page