Benjamin-Gunnar Cohrs

Benjamin-Gunnar Cohrs gave his early conducting debut 1984 with the orchestra of the Youth Music School in Hameln, where he received his early musical education since 1972 (Flute, Theory, Aural Training, Piano). In the same year he founded the Youth String Orchestra of Hameln, which performed with him numerous works of the string- and chamber orchestra repertoire until 1992. From 1986 to 1989 he studied conducting privately with the noted Italian composer and conductor Nicola Samale (Rome), and from 1989 to 1994 concert conducting (Hans-Joachim Kauffmann), voice (Hidenori Komatsu) and flute (Susanne Meier) at the Conservatory of Arts, Bremen He also attended to rehearsals and projects of numerous well-known conductors, and performed himself with several choirs and orchestras. His concert examination in 1994 included compositions by Felix Mendelssohn Bartholdy, Jean Sibelius and Frank Martin as well as the first Bremen performance of Ralph Vaughan Williams’ Symphony No. 5, recorded and broadcast by Radio Bremen. In 1996 he finished a Postgraduate Diploma in Musicology at the University of Adelaide for which he was granted a full scholarship of the DAAD. (Deutscher Akademischer Austauschdienst) Since then, he has developed a career as a freelance concert conductor, editor, scholar and publicist on music. Cohrs finished his PhD in Musicology (University of Hamburg) in 2009.

Ben Cohrs made his international conducting debut in November 2000 in the Moscow Bolshoi Hall, when he introduced historically informed performing practice to the Russian National Orchestra. In March 2001 he participated in the farewell-concert of the famous Philharmonia Hungarica, which was closed by the German Government and the Orchestral Union for political reasons. He appeared with orchestras such as the Royal Flanders Philharmonic (September 2001, Sumida Triphony Hall, Tokyo), Sarajevo Symphony Orchestra, and the Janacek Philharmonic; with the latter he gave the Austrian premiere of Bruckner’s completed Ninth Symphony in Gmunden. In September 2013 he conducted the first performance of his new completion of Wolfgang Amadeus Mozart´s Requiem in D minor in Germany (Bremen and Dortmund).

Since 1996 Cohrs contributes to international music magazines, presents pre-concert-talks as well as own radio programmes (Radio Bremen, SWR, WDR, ORF), writes programme notes, booklet notes, reports on musicological conferences and is a successful editor of music. From 1995 to 2012 he was a co-editor of the Bruckner-Gesamtausgabe (Bruckner complete edition, Vienna). Today he is a well-known Bruckner-scholar, in particular due to his studies and editions on Bruckner's Ninth Symphony. He was also part of the editorial team of Nicola Samale which prepared the Completed Performing Version of the unfinished Finale of Bruckner's Ninth (1986–2006). For the Magazine Musik-Konzepte he compiled Vol. 120/121/122 on request of the earlier editors, Heinz-Klaus Metzger and Rainer Riehn (Bruckners Neunte im Fegefeuer der Rezeption, Munich 2003). He also edited new completed performing versions of Schubert’s Unfinished Symphony in b-minor, the Great Mass in C minor and the Requiem by Mozart, both based on original sources. Since 2012 he is Editor in Chief of the Anton Bruckner Edition Wien (Alexander Hermann publishing group, Vienna), in which all collected works by Anton Bruckner will appear in new, modern Urtext editions. As the first volume of the Anton Bruckner Urtext Gesamtausgabe (Patron: Nikolaus Harnoncourt), the Seventh Symphony will appear in Summer 2015. (First Performance: 2 May 2015, Milano/La Scala; 3 May 2015, Vienna/Musikverein; Berliner Philharmoniker, Simon Rattle)

• Official Website
• Mozart, Great Mass in C minor, preface (German/English) of the completion by Benjamin-Gunnar Cohrs (2010)