Bharwad

There is anecdotal evidence that pet chandla (marriage of children while they are still in the womb) is practised by some members of the community.[4] In other cases, a sagai (engagement) ceremony takes place when children are aged 2–3, with the marriage age usually being between 18-20 for women and 20-22 for men.[lower-alpha 2]

The Bharwads practice "sartorial conservatism", according to Emma Tarlo, and it is not enough to be born a Bharwad if a person wants to be accepted as one: conforming with standards of dress and other customs is a necessity if a person is not to be considered a deserter from the community.[6] The details of clothing — in terms of style, colour and material — have changed over time while retaining a distinct Bharwad character. Despite it being a relatively recent practice, the wearing of pink and red shawls by both women and men is one of the most obvious identifiers of the modern community and they are worn even by those who shun the other aspects of the Bharwadi dress code in favour of Western styles.[7] The desire to identify through clothing and also through tattoos may be a reflection of the community's traditional itinerant lifestyle, whereby a means of recognising their fellows was a significant social factor.[8]

The clothing worn by Bharwad women was traditionally made from coarse wool woven by members of local untouchable communities. In addition, they embroidered their own open-backed bodices. The garments at that time — as late as the early 20th century — comprised the bodice, an unstitched black or red waist-cloth, known as a jimi, and a veil. Motabhai clothing was made from thicker wool than that of the Nanabhai, leading to the two groups referring to themselves as "thick cloth" and "thin cloth". The veil was dyed black and bore red dots if the woman was a Motabhai and yellow if she was Nanabhai. While the styles and colours remain similar, modern Bharwad women use man-made fibres, such as polyester, and cotton. This change may be in part because the modern materials are of finer texture but it is more likely than it came about because of their relative cheapness. Cost is an important factor among the generally penurious community and women could sell the woollen fabric that they had used for clothing for a greater price than they paid for the replacement man-made fabric clothes.[9] Tarlo quotes a Bharwad woman saying that "If you wear a sari then you can no longer be called a Bharwad. That is the way it is among our caste. Better to die than change your clothes."[10]

The men commonly wear a silver ear-ring, called a variya, and a pagri (turban). The length of the turban differs between the two divisions, and there are numerous ways of tying them. A white turban, rather than the more usual pink or red, is a symbol of seniority.[11] Wearing Western-style clothing is still not generally accepted but the traditional three woollen blankets, worn around the head, waist and shoulders, have in many cases been replaced by a cotton kediyu together with a dhoti or chorni.[12] As with the women, Carol Henderson notes that

[Bharwads] say that if a man doesn't wear their dress, he ceases to be Bharwad. Being Bharwad means dressing Bharwad. Bharwad men wear a distinctive short gathered smock with long, tight sleeves, massive wound turban, gathered pantaloons, and a shawl.[13]