Bild Lilli doll

Ordered to draw a "filler" cartoon for the June 24, 1952, inaugural issue of Bild, Reinhard Beuthien drew an unruly baby; his editor disliked it, so he adapted the drawing into a sexy pony-tailed blonde sitting in a fortune-teller's tent. She was asking, "Can't you give me the name and address of this tall, handsome, rich man?" The cartoon was an immediate success and became a daily feature.[3][5]

Lilli was post-war, sassy and ambitious, "a golddigger, exhibitionist, and floozy".[5] The cartoon always consisted of a picture of Lilli talking, while dressed or undressed in a manner that showed her figure, usually to girlfriends, boyfriends, or her boss. To a policeman who told her that two-piece swimsuits are banned in the street: "Oh, and in your opinion, what part should I take off?"[2][3][5][6] The last Lilli cartoon appeared on January 5, 1961.

Bild Lilli was available in two sizes: 30 cm (12 in) and 19 cm (7.5 in). She held three patents absolutely new in doll-making: The head and neck were not one form connected with a seam at the shoulders, but rather the seam was mid-neck, behind the chin; the hair was not rooted, but a cut-out scalp that was attached by a hidden metal screw; the legs did not sprawl open when she was sitting. The doll was made of plastic and had molded eyelashes, pale skin and a painted face with side glancing eyes, high narrow eyebrows and red lips. Her fingernails were painted red, too. She wore her hair in a ponytail with one curl kissing the forehead. Her shoes and earrings were molded on. Her limbs were attached inside by coated rubber bands. The cartoon Lilli was blonde, but a few of the dolls had other hair colours. Each Lilli doll carried a miniature copy of Bild and was sold in a clear plastic tube, with the doll's feet fitted into the base of a stand labelled "Bild-Lilli" that formed the bottom of the tube; the packaging was designed by E. Martha Maar, the mother-in-law of the Hausser company owner.[1][7]

Originally the tall dolls cost DM 12, the small DM 7.50 at a time when average monthly take-home pay was DM 200 to DM 400.[3] As this price suggests, the dolls were marketed to adults, mainly men, as a joke or gag gift at tobacconists, kiosks and newsagents that normally sold flowers, chocolates and other small giftware.[5][8] A German brochure from the 1950s states that Lilli was "always discreet", and that her wardrobe made her "the star of every bar",[2] and an advertisement from the 1960s encouraged young men to give their girlfriends a Lilli doll as a gift, rather than flowers. (This latter advert was then referenced by a Lilli newspaper cartoon, where Lilli says to her boyfriend: "I found it so apt that you gave me a Lilli doll as a present - now, I've a similarly suitable present for you" while presenting him with a puppet).

A total of 130,000 were made.[3] The doll eventually became popular with children, too. Dollhouses, room settings, furniture, and other toy accessories to scale with the small Lilli were produced by German toy factories to cash in on her popularity amongst children and parents.

Lilli came as a dressed doll—additional fashions were sold separately.[8] Her fashions, mostly also designed by Maar,[7] mirror the lifestyle of the 1950s: She had outfits for parties, the beach and tennis, as well as cotton dresses, pajamas and poplin suits. In her last years, her wardrobe consisted mainly of traditional "dirndl" dresses. Lilli's dresses always have patent fasteners marked "PRYM".[7]

Lilli and her fashions were sold as children's toys in several European countries, including Italy and Scandinavian countries; outside Germany she is usually remembered as a children's doll. In the United States, she was just called "Lilli". Some Lillis have been seen in original 1950s packaging for an English-speaking market labelled "Lili Marleen", after the song.

Decades later, American author Ariel Levy referred to Bild-Lilli as a "sex doll" in Female Chauvinist Pigs and in interviews about the Lilli-inspired Barbie doll, Eve Ensler referred to Lilli (without elaboration) as a "sex toy".[9]

A film about Lilli was released in Germany in 1958: Lilli – ein Mädchen aus der Großstadt (Lilli, a Girl From the Big City), a comedy-mystery directed by Hermann Leitner.[10][11] A contest was held to choose the star; the winner was the Danish actress Ann Smyrner.

Several toy companies (mainly in Hong Kong) produced dolls resembling Bild Lilli, some from purchased original molds.[1] Also in Spain, Muñecas FEJ (Guillen y Vicedo) copied the molds and made a very similar doll, but with darker skin, white earrings and articulated waist. However, Spanish society was extremely conservative then and was not ready for such "sexy" dolls. Mothers were not buying them for their daughters and the manufacturer had to retire them from the market.

Mattel's Barbie doll, which appeared in March 1959, was based on Bild Lilli dolls that co-founder Ruth Handler had acquired in Hamburg.[1][2][3][6][12][13] Barbie was made of softer plastic, wore less makeup, had paler skin, and the doll had rooted hair and non-moulded shoes and earrings—apart from the fact that she was a lookalike of Lilli.[6][8]

Louis Marx and Company acquired the rights to the Bild Lilli doll from Hausser and sold Miss Seventeen and smaller Miss Marlene dolls.[1] Mattel had bought all patents and copyrights to the Bild Lilli doll so that using that name as a book title or product name would infringe copyright laws. Marx unsuccessfully attempted to sue Mattel for patent infringement.[14]