Caitlin Cherry
Caitlin Cherry (b. in Chicago, 1987) is an African-American painter, sculptor, and educator.[1]
Caitlin Cherry | |
---|---|
Born | 1987 |
Nationality | American |
Alma mater | Art Institute of Chicago, Columbia University |
Known for | Painting |
Education
Caitlin Cherry received her MFA from Columbia University in 2012 and her BFA from the School of the Art Institute of Chicago in 2010.[2] She also participated in the Yale University Summer School of Art in Norfolk, CT in 2009. She currently serves as Assistant Professor of Art at Virginia Commonwealth University.[3]
Career
Cherry has presented in various group and solo exhibitions.[4] Her 2019 exhibition "Thread Ripper" at Luis De Jesus in Los Angeles received positive reviews in Art in America and Artillery Magazine. [5][6] Other notable exhibitions include "Monster Energy" at the University of Massachusetts, Amherst in 2017, and "Hero Safe" at the Brooklyn Museum in 2013, which consisted of three painting-installations for the Raw/Cooked project.[7][8] Raw/Cooked was a series of projects by Brooklyn artists who have been invited by the Museum to show their first major museum exhibitions.[7] She was the ninth solo artist in the series.[7] She was inspired to build large-scale wooden weapons, based on drawings of Leonardo da Vinci, that act as supports for her paintings, such as Dual Capable Catapult Artcraft "Your Last Supper, Sucker," 2013.[7]
Her work explores different topics, including the representation and visibility of black women as they relate to institutional power structures and security.[9] She uses mixed techniques to do her work, combining sculpture, installation, and painting.[10]
Her work has also been the subject of solo exhibitions at Providence College Galleries, Providence, RI (2018); Anderson Gallery at Virginia Commonwealth University, Richmond, VA (2018); University Museum of Contemporary Art at University of Massachusetts, Amherst, MA (2017); and at The Brooklyn Museum as part of the Raw/Cooked series curated by Eugenie Tsai (2013). Group exhibitions include A Wild Ass Beyond: ApocalypseRN (2018) at Performance Space, New York; Punch (2018) curated by Nina Chanel Abney at Jeffrey Deitch, New York; Touchstone (2018) at American Medium, New York; The Sun is Gone but We Have the Light (2018) at Unclebrother/Gavin Brown's Enterprise, Hancock, NY; Soul Recordings at Luis De Jesus Los Angeles; Object[ed]: Shaping Sculpture in Contemporary Art (2016) at UMOCA, Salt Lake City, UT; Banksy's Dismaland Bemusement Park (2015) in Weston-super-Mare, UK; This is What Sculpture Looks Like (2014) at Postmasters Gallery, New York; and Fore (2012) at the Studio Museum in Harlem, New York.
In July and August of 2020, Los Angeles' Luis De Jesus gallery presented Corps Sonore, an online/virtual exhibition of Cherry's paintings and digital collages.[11]
Awards and fellowships
References
- "CV - caitlincherry.com". cargocollective.com. Retrieved 2020-02-14.
- https://www.luisdejesus.com/artists/caitlin-cherry2
- "Caitlin Cherry". VCUarts Department of Painting + Printmaking. Retrieved 2020-02-14.
- "Cherry, Caitlin". 216.197.120.164. Retrieved 2020-02-14.
- https://www.artillerymag.com/caitlin-cherry-zackary-drucker/
- https://www.artnews.com/art-in-america/aia-reviews/caitlin-cherry-62639/
- "Brooklyn Museum: Raw/Cooked: Caitlin Cherry". www.brooklynmuseum.org. Retrieved 2020-02-14.
- Kennedy, Randy (2013-05-31). "She's Rearming Leonardo's Ideas". The New York Times. ISSN 0362-4331. Retrieved 2020-02-14.
- Kuennen, Joel (2019-03-01). "Caitlin Cherry". ARTnews.com. Retrieved 2020-02-14.
- Pundyk, Anne Sherwood (2014-07-15). "This is what sculpture looks like". The Brooklyn Rail. Retrieved 2020-02-14.
- "Caitlin Cherry on digital abstraction and Black femininity". www.artforum.com. Retrieved 2020-08-11.
- "Residency". Robert Rauschenberg Foundation. Retrieved 2020-02-14.
- "Artist Caitlin Cherry Wins Annenberg Fellowship". www.artforum.com. Retrieved 2020-02-14.
- "Prize Recipients". The Lotos Foundation. Retrieved 2020-02-14.