Catherine Lamb

Lamb describes her music as exploring "the interaction of tone, summations of shapes and shadows, phenomenological expansions, the architecture of the liminal (states in between outside/inside), and the long introduction form".[2] Most of her works explore extended harmonic spaces in just intonation.[3] Lamb explained her compositional philosophy in The Wire: "I follow the philosophy that the most intense sound is not the most intensive... I don’t agree with those who believe that sounds need to be pushed in order to be physical, or that they need to be loud in order to hear difference or summation tones. Particularly when working with particular tonal colourations and shadings, the more the tones are played in a plain and relaxed manner with room to blossom, the more expressive and generative they might become.”[4]

Lamb's notable works include divisio spiralis (2019), curvo totalitas, Parallaxis Forma (2016), muto infinitas (2016), Point/Wave (2015), Matter/Moving (2012), and the Prisma Interius series (2015-present).[5] She was also the film score composer for the highly acclaimed Anhe Ghore Da Daan. She has collaborated with Eliane Radigue, Marc Sabat, and Johnny Chang; received commissions from the BBC Orchestra, Ensemble Dedalus, Konzert Minimal, the London Contemporary Orchestra, NeoN, Plus/Minus, and Yarn/Wire; and awards and grants from the Ernst von Siemens Music Prize, Foundation for Contemporary Arts, Henry Cowell Foundation, and Akademie Schloss Solitude, among others.[6][1]

Lamb studied at CalArts with James Tenney and Michael Pisaro and independently with Mani Kaul, and received her MFA from Bard College.[7]