Chris Dorland
Chris Dorland (born 1978) is a Canadian/American visual artist based in New York City. His work combines hyper-representation and hyper-abstraction[1] by manipulating digital printed imagery.[2]
Chris Dorland | |
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Born | |
Occupation | Artist |
Website | chris-dorland.com |
Early life and education
Dorland was born in Montreal, Quebec. He received his BFA from State University of New York at Purchase.
Artwork
Dorland is known for large scale, glitchy [3] digital Alumacore works that address Artificial intelligence and machine vision [4] as well as acid hued, abstract paintings of distressed and dystopian architecture.[5] He includes images of "pop ephemera" and other discarded modern material in his paintings and videos.[6][7] Dorland uses outdated scanners and printers [8] to develop layered and chaotic images that portray the contemporary experience of globalization, technology and Capitalism. In this way, his work juxtaposes the hyper-representation and hyper-abstraction[9] evident in consumer Capitalism.
Grants and awards
He is the recipient of a number of awards, including the Rema Hort Mann Grant,[10] the Pollock-Krasner Foundation Grant,[11] and the Marie Walsh Sharpe Space Program. Dorland is an alumnus of the Art & Law program residency.[12]
Exhibitions
Dorland's work has been exhibited nationally and internationally at institutions such as FRONT International: The Cleveland Triennial for Contemporary Art,[13][14] the Queens Museum of Art, New York and Museo Nacional De Bellas Artes, Santiago, Chile,[15] White Flag Projects, St-Louis, MO, and The Suburban, Oak Park, IL. He has exhibited at galleries including Lyles & King,[16] Martos LA, Rhona Hoffman Gallery, Marc Selwyn Fine Art, Sikkema Jenkins, Marianne Boesky Gallery, RandallScottProjects[17] Valentina Bonomo Gallery,[18][19] and Super Dakota,[20] Brussels. His work is included in numerous public and private collections, including the Bronx Museum, the Whitney Museum of Art and Neuberger Museum of Art. He has been featured in several publications such as The New York Times,[21] Whitewall Magazine,[22] POSTmatter,[23] Frische,[24] and The WILD Magazine.[25]
Curation and commissions
He has curated exhibitions; notably Skin Jobs at Marc Selwyn Fine Art in Los Angeles and DATA TRASH[26] at I-20 Gallery in New York. HE is Director-at-Large at Magenta Plains. Dorland has also been commissioned to create public projects by Art Production Fund[27] and the New Museum,[28][29] and Juilliard School of Music[30]
References
- Emerling, Susan. "Surface Tensions". Broder Crossings. Archived from the original on 2016-03-04.
- "Two artists at RandallScottProjects mine surfaces in painting, pushing aside the problem of illusion and image". City Paper, Rebekah Kirkman June 2, 2015
- https://www.interviewmagazine.com/art/glitch-artist-chris-dorland-talks-transhumanism-author-carolyn-kane
- http://www.artcritical.com/2018/03/15/roman-kalinovski-on-chris-dorland/
- Wise, David Mark (2008). "Chris Dorland/Rhona Hoffman". New City.
- Qiu, Serena (2012). "Chris Dorland Frightening Utopias". The Wild. Archived from the original on 2013-09-26.
- Gavin, Francesca (November 2012). "Off-Modernists". Dazed.
- https://static1.squarespace.com/static/552d0271e4b054a6f094ddee/t/5abd61c2758d46d8ae3086f2/1522360794541/Hearts_4_58_63.pdf
- Emerling, Susan (2007). "Surface Tensions". Broder Crossings. Archived from the original on 2016-03-04.
- Foundation Grant, Rema Hort Mann (2005). "Grant Recipients". RHM Foundation. Archived from the original on 2013-01-06.
- Foundation, PFK. "Image Collection".
- "The Art & Law Program". The Law Office of Sergio Muñoz Sarmiento. Retrieved 2015. Check date values in:
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(help) - https://frontart.org/artists/chris-dorland/
- https://frontart.org/
- "Artista estadounidense crítica el capitalismo exponiendo sus obras en malls". El Mostrador. Retrieved 2014. Check date values in:
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(help) - http://www.lylesandking.com/chris-dorland-civilian/
- Callahan, Maura. "Art gallery RandallScottProjects to move from D.C. to Baltimore". City Paper Baltimore. Retrieved 2014. Check date values in:
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(help) - "AMERICAN DREAM- Valentina Bonomo, Roma". Flash Art Online. Archived from the original on 2015-06-26. Retrieved 2011. Check date values in:
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(help) - "Dream Team". Il Giornale dell'Arte. Retrieved 2011. Check date values in:
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(help) - http://www.superdakota.com/exhibitions/chris-dorland-happiness-machines
- https://www.nytimes.com/2018/01/31/arts/design/what-to-see-in-new-york-art-galleries-this-week.html
- Kinberger, Charlotte. "Chris Dorland Defines Painting in the 21st Century". Whitewall Magazine. Archived from the original on 2015-10-16. Retrieved 2015. Check date values in:
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(help) - Benson, Louise. "Rainbow Screens". POSTmatter. Archived from the original on 2015-06-26. Retrieved 2015. Check date values in:
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(help) - "Chris Dorland – Culture! Technology! Celebrity! Capitalism! Progress!". Frische. Retrieved 2014. Check date values in:
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(help) - Qiu, Serena (2012). "Frightening Utopias: Chris Dorland at Winkleman". The Wild Magazine.
- Gallery, I-20. "Data Trash". I-20 Gallery. Retrieved 2013. Check date values in:
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(help) - "Artists". The Art Production Fund.
- "After Hours: Murals on the Bowery". New Museum.
- Cashdan, Marina. "Inaugural 'Festival of Ideas for the New City' Kicks Off This Week in New York". Huffington Post. Retrieved 2011. Check date values in:
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(help) - "June Noble Larkin Lobby". The Juilliard School. Retrieved 2010. Check date values in:
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(help)