Chucho's Steps

Chucho's Steps is Valdés's first solo album since 2003's New Conceptions.[2] Recorded at Abdala studio[3] the acoustic album[3] incorporates jazz, bebop, swing and Afro-Cuban ritual music.[4]

In February 2011 Chucho's Steps won the Grammy Award for Best Latin Jazz Album.[5][6]

Valdés expanded his band, the Afro-Cuban Messengers, the name a reference to Art Blakey's Jazz Messengers,[7] from a trio to a sextet for this recording. In addition to his regular sidemen, percussionist Yaroldy Abreu Robles, bassist Lazaro Rivero Alarcón, and drummer Juan Carlos De Castro "Rojo" Blanco, are a horn section, trumpeter Reynaldo Melián Álvarez and saxophonist Carlos Miyares Hernández, and singer/percussionist Dreiser Durruthy Bombale.[8]

"Zawinul's Mambo" is dedicated to the late Joe Zawinul

The album's opening track, "Zawinul's Mambo", is dedicated to Austrian keyboardist Joe Zawinul. Valdés, who had been playing the piece as early as 2007, thought that Zawinul had died before ever hearing it, but in 2010 a Zawinul interview surfaced that contained him hearing a recording of the piece from a jazz festival in Marciac.[8] The track "Begin to Be Good" is a nod to Cole Porter's "Begin the Beguine" and George Gershwin's "Lady Be Good".[4] American musicals were a part of Valdés's childhood, and "Begin the Beguine" became a favorite song of his.[8]

Ellis Marsalis, patriarch of the Marsalis family

The track "New Orleans" is a homage to the musical Marsalis family.[2] Valdés's relationship with, Ellis Marsalis, the Marsalis patriarch goes back to 1979.[8] In October 2010 Wynton Marsalis travelled to Havana for a week-long series of shows with an aim of easing Cuba – United States relations.[9]

"Yansa" was inspired by the Yoruba religion, specifically a call to the deity Orisha, the track is highlighted by the vocals of Dreiser Durruthy Bombale.[4] "Julian" is an ode to Valdés 3-year-old son.[4] The title track, "Chucho's Steps", references John Coltrane's composition "Giant Steps".[10]

Reviews of Chucho's Steps were positive. All About Jazz reviewer Jerry D'Souza called the album "another master work from the genius of Chucho Valdés".[11] In Howard Reich's review in the Deseret News he called Valdés a "virtuoso of the highest order".[12]

Professional ratings

Chucho's Steps
Review scores
Source	Rating
Allmusic	[7]

In The Washington Post Mike Joyce called the album a "keyboard tour de force"[10] In Jeff Simon's review in The Buffalo News he singled out the performances of drummer Juan Carlos De Castro "Rojo" Blanco and saxophonist Carlos Miyares Hernández, calling them "impressive players anywhere".[13]

Rebeca Mauleón in JazzTimes called the album "almost as good as seeing [Valdés] live".[3] LA Weekly's Brick Wahl called the album "exceptional", Valdés's playing "revelatory" and the band "just great".[14] William Ruhlmann of Allmusic call the album a "versatile set demonstrating [Valdés's] continuing vitality and invention".[7]

All tracks written by Chucho Valdés

1. "Las dos Caras" 8:54
2. "Danzón" 9:07
3. "Zawinul's Mambo" 11:21
4. "Begin to Be Good" 5:12
5. "New Orleans" 4:42
6. "Yansá" 7:49
7. "Julián" 7:52
8. "Chucho's Steps" 10:52

• Chucho Valdés – piano
• Reynaldo Melián Álvarez – trumpet
• Carlos Miyares Hernández – tenor saxophone
• Lazaro Rivero Alarcón – bass, choir
• Juan Carlos De Castro "Rojo" Blanco – drums
• Yaroldy Abreu Robles – percussion, choir
• Dreiser Durruthy Bombale – vocals, percussion
• Yemi Menocal – choir
• Baira Fermina Ramirez – choir