Chuck Wilson (multimedia executive)

Wilson broke into the film industry as an intern for Spike Lee on the set of 1994's Crooklyn.[5] Wilson sold his first script to Danny DeVito in 1999.[6] The film was about wealthy African Americans in the Hamptons, which Wilson said was akin to “a black Great Gatsby".[4] The same year, Wu-Tang International optioned his music-based urban drama Trife Life[7] and Jersey Films purchased his untitled urban comedy pitch, centered on golf.[8] Trife Life was set to star Mos Def, but never came to fruition.[6] He went on to write and direct the short film, Breakfast At Ben’s which was also a part of his deal with Wu-Tang International. Wilson was granted rare access to shoot the film in the historic Washington, D.C. restaurant Ben's Chili Bowl where his father used to take him to eat as a child.[9] Breakfast At Ben’s appeared on Warner Brothers’s compilation, Afrocentricity[10] and premiered at the 2000 Urbanworld Film Festival. It also appeared in the DC Independent Film Festival[11] as well as the Maryland Film Festival.[12] Wilson went on to co-write the film, Soul Plane which was described by Variety magazine as a next generation Airplane!.[13] Soul Plane came under fire from several members of the black community including Spike Lee who accused the film of being exploitative of African Americans.[14] In 2004, he was slated to write “a black wedding comedy” titled, Meet The Mo’Fockers, parodying such films as Meet The Parents and The Wedding Singer.[15] The film was part of a deal with Maverick Films company, then owned by Madonna.[16] Despite its comedic nature, the film was also set to examine class differences within the black community.[5] Wilson has also collaborated with RZA on a screenplay entitle "Black Shampoo" based on the Wu-Tang Clan leader’s alter-ego, Bobby Digital.[17]

During his tenure at Priority Records, Wilson worked extensively on several projects, including the Training Day original soundtrack which he A&R'd.[18] In 2001, Wilson left his position as Director of A&R at Priority Records to found the independent label, Babygrande Records. Wilson said, “Early on, when I saw the whole consolidation trend starting to occur with major labels, I decided to branch out and start a small indie label”.[5] Babygrande was initially funded by the money Wilson made from selling his scripts to Hollywood and operated from Wilson’s apartment.[5] The label has released over two hundred titles, including albums from M.O.P., GZA of Wu-Tang Clan, U-God of Wu-Tang Clan, Raekwon, Brand Nubian, Grand Puba, Jedi Mind Tricks, Army Of The Pharaohs, Canibus, Hi-Tek and Sa-Ra, among others.

In 2004, SOHH recognized Wilson as a “player to watch”.[16] He was also named one of Billboard Magazine’s 2005 Power Players.[1] He has also been cited as an authority on piracy by Billboard Magazine.[19]

Wilson served as Director of Business Affairs at Black Entertainment Television. Among other initiatives, Wilson assisted with the company's launch of its first made for television feature film division, BET Pictures and the production of its initial ten "Arabesque Films." The original slate of ten films was historic in that they represented the largest single slate of African-American themed films ever produced.

In 2006, Wilson and several other partners formed Triumph Media Holdings, Inc which launched the first Hip-Hop social media network, Crackspace. The press dubbed the website, "A Myspace/YouTube for hip-hop".[20] In 2008, the site re-launched under the name iHipHop.[21]