Claudio Fragasso

Fragasso met director Bruno Mattei when Mattei was still an assistant editor and they immediately got along well with one another as they both enjoyed genre films.[9] In 1980, Mattei began a close collaboration with screenwriter Fragasso, beginning with The True Story of the Nun of Monza (1980) and ending with a comedy called Three For One (1990).[2] The two worked closely together for that ten-year period (collaborating on 15 films)[2] with Fragasso occasionally assuming the role of second unit, or assistant, director.[2][2] Fragasso has stated he is a fan of splatter films, noting that they were "very important to me. The Italian spirit compels us to exaggerate."[10]

Fragasso stated his first films with Mattei were The True Story of the Nun of Monza and The Other Hell, which were filmed simultaneously to save money.[9] The two co-directed the films in a real convent and exchanged actors to allow them to shoot the two films simultaneously.[9] While the films were being processed, Mattei and Fragasso were hired to finish the film Perverse Sex, Violent World which was completed in two weeks using stock footage.[9][3] Their next film Hell of the Living Dead was written by Fragasso and his wife Rosella Drudi.[3] Fragasso also assisted in directing the film.[11] Mattei however maintained that on all the films Fragasso claims to have co-directed, he was really just Mattei's assistant director.[11]

Following Hell of the Living Dead, producers suggested another two-film deal which led to Women's Prison Massacre and Violence in a Women's Prison, both starring Laura Gemser.[10] Violence in a Women's Prison was written by Fragasso and Drudi.[10] Fragasso spoke positively on working with Gemser, stating that "compared to the starlets of today, she was virtually a nun, the absolute opposite of a porn star".[10] Gemser would years later work for producer Aristide Massaccesi's Filmirage team, as a costume designer on Fragasso's film Troll 2.[10] Producer Roberto Di Girolamo requested a post-apocalyptic film from Fragasso and Mattei, called Rats: Night of Terror.[12] Fragasso would also collaborate on the two Westerns Mattei directed in the 1980s: Scalps and White Apache.[11] Fragasso also appeared in small roles in some of his films, such as Robowar and Cop Game.[4]

In 1986,[1] Fragasso made a film on his own without Mattei titled Monster Dog for producer Eduard Sarlui, starring musician Alice Cooper.[12] Fragasso and Drudi also co-wrote the sequel to Lucio Fulci's Zombi 2, called Zombi 3.[12] Director Fulci had to leave the Philippines set before completing the film, leading to Drudi and Fragasso having to re-write and expand the script in one day, the film's directing chores being completed by Bruno Mattei who was working in the Philippines at the time.[13] Fragasso flew there the next day to assist Mattei with the filming.[13]

While working on Zombi 3, Fragasso simultaneously directed another zombie film called After Death, written by himself and Drudi, which he described as "a small movie I did with half the budget of the "official" movie, which was shot in the same location in the Philippines" for Filmirage.[13][14] After Death was shot at night since during the day, Fragasso was shooting Zombi 3 with Mattei.[13] Fragasso also directed Beyond Darkness (La Casa 5) for Filmirage.[14]

Fragasso has claimed that he and Drudi wrote the original story for Filmirage's Killing Birds which they wrote under the title Artigli, a claim dismissed by Italian film critic and historian Roberto Curti, who noted that the treatment for Killing Birds, that was written by Claudio Lattanzi and Bruna Antonucci, was much closer to the finished film.[15]

Fragasso would later make Troll 2 for Massaccesi who wanted to make a horror film without any blood in it.[13] The film was shot in mid-1989 in Morgan, Utah.[16] Rosella met the producer Sarlui and he had a mask from the film Troll which Fragasso had not seen.[13] Fragasso stated their film was originally to be titled Goblins and was written with Drudi as a more family-oriented horror film with humor about goblins who hated carnivorous humans as the goblins were vegetarians.[13] Fragasso is credited as Drako Floyd, a pen name created by Drudi from the Dragon sign in the Chinese zodiac and for the band Pink Floyd.[14]

In the mid-1990s, critics suggested there was a resurgence of crime films in Italy going on after the release of The Escort.[17] This new wave included Fragasso's Palermo - Milan One Way, the box office success of which led to others such as Coppia omicida and the television film Operazione Odissea.[18] Fragasso continued to make several films for both theatrical and television release, culminating in his 2007 sequel to Palermo - Milan One Way which was called Milano Palermo - il ritorno.[18]