Constellations (play)

Constellations premiered at the Royal Court Theatre in January 2012, with Rafe Spall and Sally Hawkins in the lead roles and direction by Michael Longhurst.[1] The play received strong reviews from critics and subsequently transferred to the Duke of York's Theatre in the West End in November 2012.[2] The reviewer for The Guardian wrote "For all its teasing razzle-dazzle, though, it is the human warmth of the writing and acting that ensures the play never slides into tricksiness."[3] In November 2012 Constellations was named the winner of the best play category at the Evening Standard Theatre Awards, making the 29-year-old Payne the youngest winner of the award.[4] The play toured the UK, starting in May 2015 at Woking's New Victoria Theatre.[5]

The play premiered on Broadway in a Manhattan Theatre Club production at the Samuel J. Friedman Theatre on January 13, 2015 and closed on 15 March 2015. The cast starred Jake Gyllenhaal (in his Broadway debut) and Ruth Wilson.[6] Ruth Wilson received a nomination for the 2015 Tony Award, Best Performance By a Leading Actress in a Play.[7] The play received three Drama League Award nominations: Best Play, Best Actor, Gyllenhaal, and Best Actress, Wilson.[8] A production opened on February 10, 2016 at the Boise Contemporary Theater in Boise, ID, running through March 5, and starring Dwayne Blackaller and Tiara Thompson and directed by Tracy Sunderland.

In January 2013 Payne revealed that a film adaptation was under way.[9] That plan has since been shelved.

In 2016 the Canadian English-language premiere was co-produced by Montreal's Centaur Theatre and Toronto’s Canadian Stage Company. The show was directed by legendary Canadian director Peter Hinton and starred Cara Ricketts and Graham Cuthbertson.[10]

The 2016 Studio Theatre production was nominated for 6 awards at the 2017 Helen Hayes Awards in Washington, D.C.[11] The production won 2 awards, with Tom Patterson receiving the Robert Prosky Award for Outstanding Lead Actor in a Play and Lily Balatincz receiving Outstanding Lead Actress in a Play.[12][13]

The play has premiered in Los Angeles at the Geffen Playhouse with Ginnifer Goodwin and Allen Leech and director Giovanna Sardelli.[14]

The play premiered in Perth, Western Australia in June 2018 with Paul Davey and Madelaine Jones and directed by Brendan Ellis.

In November 2015, the Chinese-language premiere is directed and translated by Wang Chong in Beijing. He uses 13 cameras on the stage to conceptualize the play into a "stage movie" with 50 long takes as the 50 scenes. The result is a very intimate cinematic experience in theater. A real hamster is also put on the stage as if it is the god of time and universe who dictates the cuts of the "movie" and the possibilities of life. Because of the show's success, the actress Wang Xiaohuan is noted by The Beijing News as The Young Theater Artist of the Year.[15]

in 2018 the work premiered in Lima Peru, from January to March, under the direction of Rodrigo Falla, and with the performances of Jesus Neyra and Gisela Ponce De León. The work was a resounding success in Lima, having good reviews, was so successful then it was presented in the province of Tacna and in the plazuelas de las artes of the municipality of Lima.

The play follows Roland, a beekeeper, and Marianne, a cosmologist through their romantic relationship. Marianne often waxes poetic about cosmology, quantum mechanics, string theory and the belief that there are multiple universes that pull people's lives in various directions. This is reflected in the play's structure as brief scenes are repeated, often with different outcomes.

Roland and Marianne meet at a barbecue and become romantically involved. After they've moved in together, a confession of infidelity causes them to break up. After some time, they run in to each other at a ballroom dancing class, resume their relationship, and eventually marry. Marianne begins to forget words and has trouble typing. She is told by her doctor that she has a tumor in her frontal lobe and has less than a year to live. She eventually seeks assisted suicide abroad with Roland's support. The play ends with a flashback to the scene where Roland and Marianne rekindle their relationship in the dance class.

Several versions of the play have been published in the United Kingdom and the United States.[16][17]