Dafna Kaffeman

Dafna Kaffeman (born 1972, Jerusalem) is an artist and a senior lecturer at the Bezalel Academy of Arts and Design. She works with glass and fabrice to produce what the David Owsley Museum of Art describes as "beautiful crafted surfaces and disturbing text about aggressors and victims". She lives and works in Israel.[1] Her work has appeared in solo and group exhibitions, and she has won, or been nominated for, a number of international prizes and awards.

Dafna Kaffeman

Biography

Dafna Kaffeman graduated in 1999 from the Gerrit Rietveld Academy in Amsterdam, and in 2001 received a Master of Fine Arts from the Sandberg Institute, also in Amsterdam.[1] She had one-person shows, among others, at the San Francisco Museum of Craft and Design (2015–16); the David Owsley Museum of Art at Ball State University in Muncie, Indiana, (2014–15); Keramikmuseum Westerwald in Rhineland-Palatinate, Germany (2013); the American University Museum in Washington, D.C. (2011); and the lorch + seidel contemporary in Berlin, Germany (2006, 2010, 2013, 2017). She has participated in many group shows in Europe and the United States. She won the Design Prize from the Israel culture ministry in 2016 and was awarded the Prize for the Advancement of the Arts (Israel) in 2011.

Kaffeman's works are exhibited in the collections of various museums such as the Montreal Museum of Contemporary Art in Montreal, Canada, the Victoria and Albert Museum, in London, England, and the Corning Museum of Glass, in Corning, N.Y. She is senior lecturer, and was head of the glass course, at the Bezalel Academy of Arts and Design in Jerusalem between 2005 and 2011.

Working methods

Described as "a poetess in glass,"[2] Kaffeman's work deals with social and political processes in Israel using several layers—texts that refer to events in the country and images of local flora and fauna—through which she addresses themes such as identity and immigration.

Using lamp working techniques, she has been building a botanical collection made of glass. Each work, whether of plants or insects, is informed by personal observation of the local environment through a cultural and an iconographic interpretation. In recent years, research processes, including drawing on paper, have become an integral part of her exhibitions. Embroidery plays a significant role in the work, serving as a platform for the text on which the work is based, and enabling collaboration with a varied range of populations.

The catalogue of the winners of the 2011 Israeli Minister of Culture prizes describes Kaffeman's work as: "Using a botanic lexicon that reaches into cultural practices of commemoration, sacrifice and mourning, the artist blends local values in meticulously crafted glass and embroidery work."[3]

Davira Taraqin writes of her work:

Since 2002, Kaffeman's increasingly transparent statements, first on politics and now on social issues, have taken two distinct directions. The plant and animal forms that comprise such series as 'Tactual Stimulation' and 'Wolves' are fabricated primarily from flame-worked glass. Kaffeman maintains that her subjects provided her a means to explore human behavior; but even early on her references to nature—a recurring metaphor used by many young Israeli artists—demonstrate her deep kinship with her homeland...Since 2006, Kaffeman has also made mini-environments that consist of embroidered handkerchiefs or felt to which she affixes flame-worked glass plants, sometimes insects...These carefully considered micro-environments present the disparity between beautiful crafted surfaces and disturbing text about aggressors and victims. (From the catalogue Without Camouflage. Dafna Kaffeman. Silvia Levenson, published by the David Owsley Museum of Art, Indiana, April 2014)[4]

  • Detail, Glass
  • Panoramic view of the exhibition Red Everlasting, Norway

Exhibitions

Solo exhibitions
  • cotton plant, lorch+seidel contemporary, Berlin, Germany, September - November 2017
  • Without Camouflage, Museum of Craft and Design San Francisco, CA, USA, Curator Davira Taragin, September 2015 – March 2016[5]
  • David Owsley Museum of Art, IN, USA, Curator Davira Taragin, April–August 2014[6]
  • Eretz Israel Museum, Ramat Aviv, Israel, Curator Henrietta Eliezer Brunner, 2013[7]
  • Invasive Plants, lorch+seidel contemporary, Berlin, Germany, 2013[1]
  • Invasive Plants, Keramikmuseum Westerwarld, Höhr-Grenzhausen, Germany, Curator Prof. Jens Gussek, 2013[1]
  • What Could Be Better Than Going to Paradise?, American University Museum, Washington DC, USA, Curator Jack Rasmussen, 2011[1]
  • Mantis Religiosa, lorch+seidel contemporary, Berlin, Germany, 2010[1]
  • Red Everlasting, Utsira Lighthouse, Stavanger, European Capital of Culture, Norway, 2008[1]
  • Persian Cyclamen, lorch+seidel contemporary, Berlin, Germany, 2006[1]
  • I Was Trained Hunting Wolves, Heller Gallery, New York, USA, 2004[1]
  • Special exhibit, Eretz Israel Museum, Ramat Aviv, Israel, Curator Henrietta Eliezer Brunner, 2002

Selected group exhibitions
  • New Glass Now, Corning Museum of Glass, NY, USA , Curator Susie J Silbert, May 12 2019 - January 2 2020
  • Seeds of the Land, Israel Museum Ticho House , Jerusalem , IL, Curator Tami Manor-Freidman, March 31- November 2 2019
  • Unwilfull Movment, Jerusalem Print Workshop, Jerusalem, IL, Curator Irena Gordon, May 28 - August 15 2019
  • Vitreous Bodies: Assembled Visions in Glass, Stephen D. Paine Galleries, Massachusetts College of Art and Design, Boston, USA, curator Lisa Tung, 23 January – 4 March 2017[1]
  • Glass Now, Galerie HAndwerk, Munich, Germany, curator Dr. Angela Böck, 12 October – 19 November 2016[1]
  • New Acquisitions 2016, Glasmuseum Alter Hof Herding, Ernsting Stiftung, Germany, curators Lilly Ernsting and Dr. Ulrike Hoppe-Oehl, 14 January – 17 May 2017[8]
  • Departures and Arrivals, Two Artists Show, lorch + seidel contemporary, Berlin, 23 April – 4 June 2016[9]
  • Why Glass?, lorch + seidel contemporary, Berlin, 5 Dec –5 March 2015[1]
  • In the Name of Love, Alexander Tutsek-Stiftung, Germany, Curator Prof. Dr. Florian Hufnagl, 7 February 2012 – 30 April 2013[1]
  • The Winners, Culture Ministry Prizes 2011, Petach Tikva Museum, Israel, Curator Naomi Aviv, 2012[10]
  • Menschen, Tiere, Sensationen, lorch + seidel contemporary, Berlin, 10 December – 28 January 2012[1]
  • The Anna and Joe Mendel Collection, The Montreal Museum of Fine Arts, Montreal, Canada, Curator Diane Charbonneau, 2010[1]
  • Glas-Museum Alter Hof Herding, Ernsting Stiftung, Germany, curator Dr. Ulrike Hoppe-Oehl, 2010
  • Four in One, lorch + seidel contemporary, Berlin, 18 September – 20 November 2010[1]
  • Glas, Gemeenteuseum, The Netherlands, Curators Caroline Prisse and titus M. Eliansse, 2009[1]
  • Ashes to Ashes, Virginia Museum of Contemporary Art, VA, USA, 2009[1]
  • Artists of the Gallery, lorch + seidel contemporary, Berlin, 12 December 2009 – 13 February 2010[11]
  • Three Artists of the Gallery, lorch + seidel contemporary, 26 January – 5 April 2008[1]
  • Pricked Extreme Embroidery, MAD Museum, New York, USA Curator David Macfadden, 2007[1]
  • Fragile Reality, Eretz Israel Museum, Ramat Aviv, Israel, Curator Enrietta Eliezer Brunner, 2007
  • Artists of the Gallery, lorch + seidel contemporary, 5 December 2006 – 10 March 2007[12]
  • Glas-Museum Alter Hof Herding, Ernsting Stiftung, Coesfeld-Lette, Germany, 2007
  • Racine Art Museum, Racine, WI, USA, 2005[1]
  • Museum Jan van der Togt, Amsterlveen, NL, 2002[1]

Works in collections
  • The Israel Museum. Jerusalem, Israel.
  • The Montreal Museum of Fine Arts. Montreal, Canada.
  • Corning Museum of Glass, Corning, NY, USA.[1]
  • David Owsley Museum of Art, Muncie, IN, USA[1]
  • Museum of American Glass, Millville, NJ, USA.[1]
  • Racine Art Museum, Racine, WI, USA.[1]
  • Glasmuseum Alter Hof Herding, Ernsting Stiftung, Coesfeld-Lette, Germany.
  • Victoria & Albert Museum, London, England.[1]
  • Museum of Modern Glass, Kunstsammlungen der Veste Coburg, Coburg, Germany.[1]
  • Alexander Tutsek-Stiftung, Germany.[1]
  • Musée Centre d'Art du Verre, Carmaux, Tarn, France.[1]

Prizes
  • 2016: Prize for creation in the field of Design, Ministry of Culture, Israel.[1]
  • 2011: Prize for the Advancement of the Arts, Ministry of Culture, Israel.
  • 2007: Finalist, Bombay Sapphire Prize, UK[1]
  • 2005–2006: Award by the Hilbert Sosin Fund of the Florida Glass Art Alliance.[1]
  • 2004: Honoree Diploma, Jutta-Cuny-Franz Memorial Award, Jutta-Cuny-Franz Foundation, Germany.[1]
  • 2002: Nomination, Bernadine de Neeveprijs, the Netherlands[1]
  • Detail, Glass
  • Wolf, glass, from the series Hunters and Hunted
  • Invasive Plants, Glass, Embroidery

References
  1. "Dafna Kaffeman". lorch-seidel.de. Archived from the original on 24 May 2017. Retrieved 29 November 2017.
  2. Schack von Wittenau, Clemantine (Winter 2010). "A poetess in Glass". New Glass Magazine (4/10): 6.
  3. The Winners 2011, Exhibition Catalog. Pethacj Tikva Museum. 2011.
  4. Taragin, Davira (2014). Without Camouflage. Dafna Kaffeman. Silvia Levenson. David Owsley Museum of Art, Indiana.
  5. "Without Camouflage. Dafna Kaffeman. Silvia Levenson". sfmcd.org. Archived from the original on 29 May 2017. Retrieved 29 November 2017.
  6. "Without Camouflage. Dafna Kaffman, Silvia Levenson". glassismore. com. Archived from the original on 29 November 2017. Retrieved 29 November 2017.
  7. "Invitation to the Gallery Talk" (PDF). lorch-seidel.de. Archived (PDF) from the original on 22 October 2015. Retrieved 29 November 2017.
  8. "lorch + seidel News". lorch-seidel.de. Archived from the original on 5 May 2017. Retrieved 29 November 2017.
  9. "Departures and Arrivals" (PDF). lorch-seidel.de. Archived (PDF) from the original on 26 June 2016. Retrieved 29 November 2017.
  10. "Winners 2011 - The Ministry of Culture and Sport Prizes in Art and Design". petachtikvamuseum.com. Archived from the original on 29 September 2016. Retrieved 29 November 2017.
  11. "Ehibitions Archive 2009". lorch-seidel.de. Archived from the original on 22 June 2016. Retrieved 29 November 2017.
  12. "Exhibit Archives 2006". lorch-seidel.de. Archived from the original on 23 June 2016. Retrieved 29 November 2017.
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