Daniel Glass

Glass joined the influential indie dance label SAM Records as vice president working with Gary's Gang, John Davis and the Monster Orchestra and the Evasions. He began focusing on developing artists’ careers, rather than just trying to pick hit records. Significantly, Glass promoted street bands when other more conservative and larger labels had not.[2]

Glass joined Chrysalis Records in 1983 as Director of New Music Marketing and was later appointed Senior Vice President. During his six years with Chrysalis, he helped guide the careers of such stars as Pat Benatar, Huey Lewis and the News, Billy Idol, Spandau Ballet, Jethro Tull, Icehouse, The Divinyls, Sinéad O'Connor and Was (Not Was), among others. He also developed a strong college and intern program, which cultivated a number of talented young executives who later went on to high-level positions throughout the entertainment industry.

In 1989, Glass joined SBK Records as Senior Vice President of Promotion. This quickly produced success in breaking new artists, including the multi-platinum debuts of Jesus Jones, Technotronic, Wilson Phillips, Vanilla Ice, as well at SBK/Liberty country artist Billy Dean.

In 1990, Glass was promoted to Executive Vice President/General Manager of SBK Records. A 1992 edition of Crain's New York Business profiled him ("Daniel Glass, 35, General Manager EMI Records Group North America") as one of the top "under forty" business executives. With the consolidation of SBK, Chrysalis, and EMI USA several years later into "EMI Record Group North America," he rose to President/CEO. In that position he was instrumental in bringing Jon Secada, Selena, Barrio Boyzz, Blur, D'Angelo, Roxette, Wilson Phillips, Vanilla Ice, Technotronic, and Arrested Development into platinum and Grammy Award-winning status, as well as the hit soundtrack to the critically acclaimed film, The Crying Game, which featured Boy George.[3]

In 1996, Glass caught the attention of Doug Morris (later, chairman of Universal Music Group), with whom he started Rising Tide Records (subsequently Universal Records), with Glass as president.

The label had success in breaking new artists, including the multi-platinum debut of Erykah Badu, Billie Myers, Goldfinger, and the Lost Boyz. Recognizing the changing landscape of the industry, Glass strategically aligned Universal with such independent record labels as Kedar Entertainment, home to Erykah Badu, and Mojo Records, home to platinum artists Reel Big Fish and the Cherry Poppin' Daddies.

In 1999 Glass joined Artemis Records as Executive Vice President. After a few months, he was named President[4] and achieved success with the gold record rapper Kurupt, Grammy Award-winning Warren Zevon, rocker Steve Earle, gold record female hard rock group Kittie, the Pretenders and the triple platinum pop stars Baha Men. He also executive produced the Josh Joplin Group’s album, which was released in January 2001.

In 2007, Glass founded Glassnote Entertainment Group, encompassing a music label, publishing company, artist management, and merchandising. Among the artists signed to the label are Two Door Cinema Club, Grammy Award Winning Phoenix, Grammy Award Winning Mumford & Sons, Daughter, The Temper Trap, Aurora, Holychild, Givers, Panama Wedding, Jeremy Messersmith, Tor Miller, Flo Morrissey, Mansionair, Lawrence Taylor, Dylan Cartlidge, The Strumbellas, Madisen Ward and the Mama Bear, Flight Facilities, Robert DeLong, SNNY, Jade Bird and Half Moon Run. In 2012, the sophomore release by Glassnote artist Mumford & Sons became the biggest selling debut album of the year with first week sales of 600,000 units.* For the first release on the independent Glassnote Entertainment Group[5] he chose Secondhand Serenade, the #1 unsigned artist in the history of MySpace, with 17 million plays and roughly 200,000 "friends." In 2013 Glassnote Records won the A2IM Libera Award for Best Label of the Year.

In 2017 Daniel started a management company whose current roster includes Starcrawler and Liily