David Daniels (filmmaker)

David Daniels is an American commercial director, filmmaker, and co-founder (along with Ray Di Carlo and Chel White) of the Portland, Oregon based animation studio Bent Image Lab.[1]

With a master's degree in Animation from The California Institute of the Arts (Cal Arts), Daniels' expertise includes computer (or CG), clay, foam, character, and mixed-media animation.

History

Early in his career, Daniels animated parts of Pee-wee's Playhouse,[2] and sections of Peter Gabriel's music video "Big Time." [3] David later directed the original twelve M&M's spots, helping define the CGI designs of Yellow, Blue, Red and Green personalities that are still being used decades later. His industry awards include an AICP award, a Clio, Mobius awards and a Daytime Emmy. His clients include Hewlett Packard, Fox, MTV, NBC, Coca-Cola, Pepsi, Nabisco, Mars, Sesame Street,[4] Tinactin (featuring John Madden), and Kelloggs.[5]

Stratacut

David Daniels invented a technique he termed Strata-cut animation,[6][7][8] a form of clay animation in which internally packed "loaves" of clay are animated in thin slices, revealing the movement of the pre-sculpted images within.[9] Daniels first used the technique of strata-cut in his 1985 film, Buzz Box.[10] Strata-cut was later used in animated segments of the Pee-wee's Playhouse series during the mid-80s, and in the music video for "Big Time" by Peter Gabriel (1986).

At Bent Image Lab

In 2008, David Daniels and Bent co-founder Ray Di Carlo co-directed "Hidden Formula",[11] a Coca-Cola television commercial created for the advertising agency Santo, in Buenos Aires, Argentina. Since 2014, Daniels has also been developing augmented reality.[12][13]

Screenings

Daniels' experimental animated film, "Buzz Box Remix" premiered at the 2007 International Film Festival Rotterdam.[14] His Masterclass presentations in person at Santiago, introduced a new generation of animators firsthand to this unconventional art form. In 2017, David Daniels gave a one-man show at the historic Anthology Film Archives in New York City. Guests not only got to see his legacy of work but Daniels also gave an in-person demonstration.[15]

References

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