Dialogue with the Carmelites

Dialogue with the Carmelites (French: Le dialogue des Carmélites, Italian: I dialoghi delle Carmelitane, also known as The Carmelites) is a 1960 French-Italian historical drama film written and directed by Raymond Léopold Bruckberger and Philippe Agostini. It is based upon the play by Georges Bernanos, which in turn was adapted from the novel by Gertrud von Le Fort. It's the story of the Martyrs of Compiègne, Carmelite nuns who were guillotined in Paris in 1794 in the waning days of the Reign of Terror during the French Revolution, after refusing to renounce their vocation.[1][2]

Dialogue of the Carmelites
Directed byRaymond Léopold Bruckberger
Philippe Agostini
Written byGertrud von Le Fort (novel)
Georges Bernanos (play)
R.L. Leopold Bruckberger (screenplay)
Philippe Agostini (screenplay)
StarringJeanne Moreau
Alida Valli
Music byJean Françaix
CinematographyAndré Bac
Distributed byLux Film
Release date
1960
LanguageFrench

Plot

During the difficult years of the French Revolution, the young noblewoman Bianca, on the advice of her father, the Marquis de la Force, decided to enter the cloistered convent of the Carmelites of Compiègne. The need to find a safe refuge is accompanied by a certain religious vocation, but, despite this, Bianca is afraid of facing sacrifices and suffering and is afraid of not being up to her choice.

Soon the revolutionary authorities and the people will begin to annoy the nuns, accused of being reactionary, enemies of the homeland, who grab riches and give hospitality to the fugitives. Forced to leave the convent, the nuns vow to be willing to sacrifice their lives so that the Catholic religion can survive in France.

Dispersed in small groups, almost all of them will be arrested, found guilty and sentenced to death. The procession that accompanies them to the Square of the Reversed Throne, where the execution will take place, will cross the streets of Paris between prayers, blessings and religious songs. Bianca de la Force, with courage, will climb the gallows in place of Mother Mary of the Incarnation, who will be the only one to be saved and who alone will have to continue to practice the teaching of Carmel.

Cast

References
  1. Roberto Chiti; Roberto Poppi; Enrico Lancia; Mario Pecorari (1991). Dizionario del cinema italiano. I film. Gremese Editore, 1992. ISBN 8876055932.
  2. Paolo Mereghetti. Il Mereghetti. B.C. Dalai Editore, 2010. ISBN 8860736269.


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