Dos-à-dos binding

In bookbinding, a dos-à-dos binding (/dsd/ or /dsd/, from the French for "back-to-back") is a binding structure in which two separate books are bound together such that the fore edge of one is adjacent to the spine of the other, with a shared lower board between them serving as the back cover of both. When shelved, the spine of the book to the right faces outward, while the spine of the book to the left faces the back of the shelf; the text of both works runs head-to-tail.[1][2][3]

A modern dos-à-dos binding.

The dos-à-dos format dates back at least to the 16th century, though they were most common in England in the first half of the 17th century.[4] Two books frequently bound in this form were the New Testament and Psalter, presumably because both were needed during church services. Regardless of content, the outer boards of dos-à-dos bindings were usually embroidered, or covered with leather and then finished with gold.[5]

One example is Irvin S. Cobb's Oh! Well! You Know How Women Are! bound dos-à-dos with Mary Roberts Rinehart's Isn't That Just Like a Man!, as published by George Doran in 1920.[6]

Tête-bêche

The term "dos-à-dos" is also used to refer to a single volume in which two texts are bound together, with one text rotated 180° relative to the other, such that when one text runs head-to-tail, the other runs tail-to-head. However, this type of binding is properly termed tête-bêche (/tɛtˈbɛʃ/) (from the French meaning "head-to-toe", literally referring to a type of bed).[7] Books bound in this way have no back cover, but instead have two front covers and a single spine with two titles. When a reader reaches the end of the text of one of the works, the next page is the (upside-down) last page of the other work. These volumes are also referred to as "upside-down books" or "reversible books".[8][9]

The tête-bêche format has been used for devotional books since the nineteenth century, and possibly earlier.

It has also been used, for example, to bind two-way language dictionaries, and even for novels. An example is The Loving Couple: His (and Her) Story, a 1956 novel by Patrick Dennis. Here, the books are first-person accounts of a rocky marriage, one narrated by the husband, the other by the wife.

The format became widely known in the 1950s, when Ace Books began to publish its Ace Doubles. This was a line of tête-bêche genre paperbacks that ran from 1952 through the early 1970s. The Ace Doubles binding was considered innovative, if gimmicky, at the time; the 18 October 1952 issue of Publishers Weekly describes it as a "trick format".[10]

More recently, the format was used for the 1990 Methuen paperback edition of Monty Python's Flying Circus: Just the Words, a two-volume collection of the scripts of the television series.[11][12]

References

  1. Carter, John; Nicolas Barker (2006). ABC for Book Collectors (8th edition with corrections ed.). New Castle, DE: Oak Knoll Press and The British Library. p. 83. ISBN 1-884718-14-0. Retrieved 23 August 2008.
  2. Glaister, Geoffrey Ashall (1996). Encyclopedia of the Book. New Castle, DE: Oak Knoll Press & The British Library. p. 144. ISBN 1-884718-14-0.
  3. Prytherch, Ray (1990). Harrod's Librarians' Glossary. Brookfield, VT: Gower. p. 206. ISBN 0-566-03620-7.
  4. Glaister, 144.
  5. Glaister, 144; Etherington, Don; Matt Roberts (1982). Bookbinding and the Conservation of Books. Washington, DC: Library of Congress. ISBN 0-8444-0366-0. Retrieved 3 August 2007.
  6. Copy description located in second-hand bookstore "Robert Wright Books". Retrieved 9 May 2006.
  7. "Online Dictionary for Library and Information Science".
  8. Library of Congress, Authorities and Vocabularies, retrieved 1 April 2011
  9. TÊTE(-)BÊCHE,(TÊTE BÊCHE, TÊTE-BÊCHE), Centre National de Ressources Textuelles et Lexicales
  10. "News". Publishers Weekly. 199: 1719–1729. 18 October 1952.
  11. Monty Python's Flying Circus: Just the Words Volumes 1 & 2, Amazon.co.uk, retrieved 27 January 2014
  12. Complete Monty Python, Blackwell.co.uk, retrieved 27 January 2014
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