Dywane Thomas Jr.

During his brief stay at Berklee College of Music he shared the stage with David Fiuczynski. After his departure from Berklee in 2010, Thomas went to Los Angeles to perform with Fiuczynski and Alex Bailey (drummer) at the Musicians Institute and The Baked Potato.[9][10]

While Thomas is right-handed, he plays left-handed on an upside down right-handed bass guitar, which allows him to use heavy string bending on the upper strings. Thomas' slapping style/technique is unique because he is executing everything upside-down, but he still uses the thumb for slaps and fingers for pops. He also uses fingers and palm muting to create a warm, muffled timbre and have a little more control over the length of notes. In a free/improvisational setting, listeners may hear the use of Indian melodic inflections/embellishments in his playing, including the use of gamakas. Another attribute in Thomas' playing style is the use of randomness and personal mistakes in performance, eventually moving the mistakes from meaningless to meaningful.[11][12]

Thomas' overall playing style on bass can be described as "funky with unusual characteristics". Marcus Miller, among others, has praised his unique playing style. His musical background is heavily influenced by southern soul, blues and funk.[13] In a Bass Player magazine interview, Miller mentioned Thomas as one of several "young bad cats" he has met on the scene.[14]

In 2009, Thomas was featured on the GospelChops Bass Sessionz Vol.1 project with Andrew Gouche, Hadrien Feraud, Damian Erskine, Janek Gwizdala, Anthony Nembhard, and Robert "Bubby" Lewis.[15][16]

In 2010, Thomas played bass on the Libra Scale album by Grammy Award-winning artist Ne-Yo,[17] and the album Directions by Forest Won with Georgia Anne Muldrow.[18][19] Thomas was featured in the article, "Bass to the Future", in issue 52 of the UK Bass Guitar magazine.[20]

In 2012, Thomas joined David Fiuczynski and Planet Microjam.[21][22][23] Also in 2012, he released his solo avant-garde album, Down-to-Earth Art as MonoNeon.[24]

MonoNeon's YouTube bass cover videos of Sonic The Hedgehog Green Hill Zone Theme and the theme song to the Martin Lawrence Show were featured on NoTreble.[25][26]

In early 2013, Thomas released an album called Southern Visionary under the pseudonym MonoNeon. This album features several microtonal musicians.[27][28] He also released an album entitled Uncle Curtis Answered The Lobster Telephone.[29][30]

MonoNeon performed with 2010 Grammy nominee Sheri Jones-Moffett during the Recording Academy Chapter 40th Anniversary Celebration at Levitt Shell.[31]

MonoNeon teamed up with producer Kriswontwo to release an EP called, WEON.[32][33][34][35]

July 2014, MonoNeon made his debut performance as the bassist for Screaming Headless Torsos at Jalisco Jazz Festival in Mexico.[36]

July 7th 2018, MonoNeon played a show with Joe_Russo_(musician) and Eric Krasno billed as (nO*sO*nO*). While the three musicians have played together on many occasions in various other supergroup formations, this marked the first performance as a dedicated trio under this moniker. For most of the two-set performance, surprise guest keyboardist Peter Levin (Gregg Allman Band) played on several numbers. Relying heavily on improvisation, (nO*sO*nO*) dug deep into the funk, jazz, and psychedelic rock catalogs. Covers of Jimi Hendrix‘s “Manic Depression”, The Beatles‘ “Get Back”, Billy Cobham‘s “Stratus”, and John Scofield‘s “Hottentot”, appeared throughout the free-flowing jams and captivated the audience with their supersonic chemistry. The show can be see here on YouTube. [37]

Thomas' experimental works are very childlike, in terms of the energy that is presented in his compositions. In some of his experimental pieces, his approach has been compared to the 20th century composer John Cage .[38]

The idea of conceptual art plays a role in his musical compositions, as reflected in his early 2011 recordings. Thomas began creating a vague idea of bass and AM/FM radio improvisations. The improvisations/compositions are based on radio art. Some of the bass and radio improvisations/compositions can be heard on his album entitled, Introspection of PolyNeon. The "Polyneon" concept is something Thomas created through introspection and when he stopped thinking about the goal of becoming or being a great musician.[39][40]

Thomas is notable for his "readymade bass", inspired by his love for Dadaism and other avant garde art movements. The primary characteristics of the "readymade bass" is the ordinary sock covering the entire headstock and the name "Polyneon" on the body of his bass. The use of colorful duct tape and other mundane items upon his basses has become a defining visual style for Thomas.[41][42][43]

MonoNeon was featured in the January/February 2013 issue of Dig! Magazine, a Winnipeg jazz magazine.[44]

MonoNeon's microtonal works and art manifesto were mentioned on The Rest Is Noise, a website by Alex Ross, a music critic who regularly writes for The New Yorker.[45]

One of MonoNeon's bass cover videos performing KNOWER's arrangement/medley of Lady Gaga songs was voted Top 10 most watched video on NoTreble (March 2014).[46]

A microtonal bass built for MonoNeon by Tim Cloonan of CallowHill Guitars was featured on NoTreble as Bass of the Week. The bass is built to play quarter tones.[47]

• "Polyneon" (2010)
• "Introspection of PolyNeon" (2011)
• "Noise Catharsis" (2011)
• "Johnnie Taylor and John Cage" (2011)
• "The Kitschy EP" (2011)
• "MonoNeon" (2012)
• "Ming Neon" (2012)
• "Down-to-Earth Art" (2012)
• "Southern Visionary" (2013)
• "Uncle Curtis Answered The Lobster Telephone" (2013)
• "John Cage on Soul Train" (2014)[54]
• "MonoNeon Plays Speech" (2015)
• "Selfie Quickie" (2015)
• "Selfie Quickie 2wooo" (2017)[55]
• "Welcome 2 Whateva The Fyuck" (2017) [56]
• A Place Called Fantasy (2017) [57]
• "I Don't Care Today (Angels & Demons in Lo-Fi)" (2018)
• "My Feelings Be Peeling" (2019)
• "Living The Best And Worst Life At The Same Damn Time!" (2019)
• "Toxic Wasteland 2 The Hills" (2020)[58]
• "Banana Peel on Capitol Hill" (2021)

• "Libra Scale" (2010)

Bass on "Making A Movie"

• "Ms. One" (2014)[59]

• "RUFF ENUFF" single (2016) [60][61]

• "WEON" (2013)
• "Neon the Won" (2015)[62]

• Circles (2020)

MonoNeon played bass on the song, "Complicated" [63]

• King's Disease

Bass on "All Bad" and credited as 'MnoNeon' for additional producer