Elisabeth Cavazza

Elisabeth Jones was born in Portland, Maine, 1849. She was the daughter of Charles (1801-1859 and Anna (Davies) Jones. Charles came from a seagoing family who were traders in the Mediterranean Sea. He was a leading man in Portland in his day, and was largely instrumental in the welfare and upbuilding of that city. He served as president of the Gas Company and managing director of the Portland Company, of which concerns he was also the practical founder and organizer.[3] He died when his daughter was very young.[1]

Accustomed from childhood to speak both the English and Italian languages, enacting dramas with her dolls, intensely interested in Shakespeare's fairies, the demons of "Dante's Inferno" and stories of the Greek gods and heroes—her early years were not like those of a typical child of New England. She received a thorough musical education, which included singing, the pianoforte, harmony and counterpoint.[4] As a young girl, she was much interested in musical matters, and received a fine musical education, but her interest soon turned more strictly to literature.[5]

Don Finimondone: Calabrian Sketches (1892)

She began writing for the Portland papers, and was so successful in this as to be encouraged to more ambitious efforts. She had for several years been a regular reviewer and contributor to the Boston Literary World. Professor William Milligan Sloane, editor of the New Princeton Review, was the first to accept a story by Cavazza for a magazine. This story was called "A Calabrian Penelope", and those who read it were struck, not only by the literary ability displayed, but by the novelty and freshness of the subject, namely: the life of Calabrian peasants in Italy. Some little time before this story appeared, Cavazza came into some prominence on account of two comic tragedies contributed to the Portland Press and dealing with eccentric episodes in the poet Swinburne's life.[5]

A review of Edmund Clarence Stedman's "Victorian Poets" won from the eminent critic a flattering letter in regard to the young journalist. She had an unwillingness to be known to write, and, so well was the mystery maintained, that one day after the publication of her parody upon Swinburne's "Atalanta in Calydon," there arrived at the Press office a letter enclosing a card of invitation to the Century Club, which bore the endorsement of Stedman, Bayard Taylor, Richard Henry Stoddard, and August Rodney Macdonough, who assumed the author of the parody to be a man. This parody was quoted by the London Saturday Review as the best sample of this kind of literature on this side of the Atlantic Ocean.[4]

A second pseudo-Greek drama "Algernon, the Foot-Stool Bearer," in which Swinburne and Robert Browning were parodied, was rewarded by a charming letter from Mr. Browning. Just before Bayard Taylor sailed for Germany to assume the post of Minister at Berlin, he came to Portland on purpose to see the young girl and speak encouragingly to her concerning her literary future. Later, she was honored by the warm friendship of John Greenleaf Whittier. Prof. Henry Wadsworth Longfellow thanked her in a letter for a long poem published in the Press on occasion of his 75 birthday; and when, in September, 1888, a statue of the poet was unveiled in his native city, Cavazza was invited to write a poem, which was read upon the occasion. Besides her work in fiction and for the Literary World, she wrote considerably on contemporary Italian literature for the Atlantic Monthly, and was also a member of the staff of the New World, Nicholas Paine Oilman's review.[2] Cavazza was an intimate friend of Mr. Whittier and of those of his relatives who resided in Portland, and attributed much of her encouragement to continue as a writer to their friendly words.[2] Some of her short stories were issued as "Don Finimondone: Italian Sketches," 1892.[6]

She was married in February, 1885, to Nino Cavazza, of Modena, Italy. He was a son of Cavaliere Alessandro Cavazza, professor of sculpture in the Royal Academy of Modena. His death occurred within a year from their marriage; but Mrs. Cavazza's early interest in all that relates to Italian life and manners was undoubtedly increased by her marriage.[2] After the death of her husband, Cavazza found it best to adopt literary writing as a serious profession, which she had studied in her childhood. She wrote verse and prose for Portland journals, and some of the leading magazines and juvenile periodicals.[4] She married Stanley T. Pullen, a journalist and financier of Portland,[6] on September 8, 1894. [3] Cavazza died in 1926.