Embers (2015 film)

Embers received wide critical acclaim including positive reviews in The Hollywood Reporter, Los Angeles TImes, and L.A. Weekly.[1] Eric Kohn of IndieWire dubbed Embers, "the best science fiction discovery of the year,"[2] and Don Simpson writing for Smells Like Screen Spirit called Embers, "one of the most memorable independent science fiction films in the last decade.”[3] Sight & Sound's Anton Bitel lauded the direction, saying, "Carré weaves from her ensemble amnesi-apocalypse a reflection of the human condition as philosophically compelling as it is emotionally intelligent."[4] The Italian film journal Cine Lapsus described the film as, "Beckett absurdly suspended halfway between Memento and City Lights.”[5] Variety criticized Embers saying, it "could be described as a mass-scale Memento, but that thumbnail sketch misses both the pic's impressive conceptual breadth and its numbing dramatic stasis."[6]

Director Claire Carré received nominations for the Someone to Watch Award at the 2017 Independent Spirit Awards and the Spotlight On Women Directors Award at the Gotham Awards. Embers was nominated for Best Production Design for Chelsea Oliver at the inaugural American Independent Film Awards.

Embers received numerous festival accolades including Best Feature at New Orleans Film Festival, SciFi London, Feratum Film Festival, and Oxford Film Festival, where Carré also was given the Alice Guy-Blaché Award. At Newport Beach Film Festival, Embers won both Best Feature and Best Director, and the film received awards for Best Feature and Best Editing at Buenos Aires Rojo Sangre Film Festival. Embers also received Best New Director at Brooklyn Film Festival, and both the Juice Award and Special Jury Prize at Sarasota Film Festival. Trieste Science+Fiction Festival in Italy awarded Embers the prestigious Asteroide.[7]