Ernest Christophe

Ernest Christophe (1827 – 1892) was a French sculptor, a student of François Rude and a friend of Charles Baudelaire.[1] Rude assigned him to help with the bronze recumbent effigy to Éléonore-Louis Godefroi Cavaignac, a French politician. The funerary monument is signed Rude et Christophe, son jeune élève (Rude and Cristophe, his young pupil).[1][2] His Le Masque (the Mask) sculpture won Christophe third place in the Paris Salon in 1876 and two of his sculptures, La Fatalité (Fatality) and Le Baiser suprême (The supreme kiss) were acquired by the Musée du Luxembourg.[1]

Ernest Christophe
Photograph of Christophe by Nadar
Born1827
Died1892 (aged 6465)
Paris, France
Resting placeBatignolles Cemetery
48.897°N 2.314°E / 48.897; 2.314
NationalityFrench
Known forSculpture
Notable work
The Human Comedy

Christophe developed a deep friendship with Cuban-born French poet José-Maria de Heredia and made him his testamentary legatee. De Heredia collected part of Ernest's library after his death.[3] He is buried in the Batignolles Cemetery.[1]

Notable works

One of Christophe's most recognized works is the Human Comedy sculpture that he submitted in 1876 to the Paris Salon. The Statue was acquired and exposed in the Jardin des Tuileries in 1877 and was moved to the Orsay museum since 1986 after restoration works in the Louvre.[4] The sculpture inspired Christophe's friend Charles Baudelaire to write his poem Le Masque (the Mask).[5] The sculptor renamed his statue "The Mask" with a nod to Baudelaire's ekphrastic poem.[6] The work depicts a semi-nude woman whose smiling face is really a mask that hides "a face of sorrow".[7]

La Fatalité, a statue executed by Christophe in 1885, inspired another French poet Leconte de Lisle's poem of the same title.[8]

References

  1. Bénézit 1999, p. 626
  2. Lindsay 2000, p. 2
  3. Mortelette 2006, p. 113
  4. Musée d'Orsay (2006). "La Comédie humaine". Fiche Oeuvre. Musée d'Orsay. Retrieved 25 December 2015.
  5. Pingeot 2000, p. 40
  6. McGowan 2008, p.357
  7. Wright 2005, p. 34
  8. Mortelette 2006, p. 196

Bibliography

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