Eva Sulzer

Many of her photographs were published in the DYN surrealist journal written and published by Wolfgang Paalen. Sulzer's intimate images and subtle focuses on feminine icons in pre-Columbian art ring a strong feminist undertone to her images and set her aside from her male contemporaries in Paris and New York. While mainly referred to in context of Paalen, Sulzer was an artist in her own right and continued to live and work in Mexico as a photographer and filmmaker until her death in 1990. As well as contributing to the artistic sensibilities of the Dyn surrealist circle, Sulzer also implemented archeological and anthropological aspects to her and her colleagues writings and works. Sulzer also contributed from her collection of pre-Columbian art to Miguel Covarrubias popular anthologies about Mexican anthropology. In 2012 an array of Sulzers photographs were displayed in an exhibition entitled “Farewell to surrealism: The Dyn circle in Mexico” as an homage to the Dyn circle journals debut publication; Bringing to light a seemingly under researched and unknown female artist of the 20th century. Much more research is still to be done on Sulzer as a singular entity working in the art world and mediums of photography, film, and music.[1]

Paalen and Sulzer met at a Baltic resort in 1931, Sulzer then decided to return to Paris with Paalen and remained close for the remainder of Paalens life[1] Although Paalen was married to the artist Alice Rahon, it has been stated that Rahon, Paalen, and Sulzer were involved in a polyamorous triad, which is highly representative of the open minded sensibilities of the Dyn circle.[2]