Eve Borsook

Borsook was born in Toronto, Canada. Her parents were the English-born biochemist Henry Borsook (1897-1984)[3] and the Austrian-born Lisl (née Hummel).[4] Henry's hobby was art history, which may well have been an early influence on his daughter, for Eve Borsook received a BA in the History of Art from Vassar College, New York in 1949. She went on to the Institute of Fine Arts, New York University, completing her MA in 1952 with a dissertation on the early Baroque painter Carlo Saraceni (her supervisor was the German art historian, Walter Friedlander). While pursuing her graduate studies, Borsook was also working for the Metropolitan Museum of Art. She then went on to London for her doctoral research on Italian mural painting at the Courtauld Institute of Art, University of London, where her supervisor was the art historian Johannes Wilde. At this time she also had the benefit of a Fulbright scholarship which allowed her to study in Italy. Her PhD thesis, 'Principles of mural decoration in fourteenth century Tuscan fresco cycles', completed in 1956, was published in revised form in 1960.

During her early days of research in Italy, Borsook made some long-term contacts which would shape her future career. In particular, she worked with a group of mural conservators in Florence led by Leonetto Tintori (1908-2000), and this relationship was to continue for more than thirty years, resulting in a number of publications. The disastrous flood in Florence in 1966 was another important milestone, which involved her in working for the CRIA (Committee to Rescue Italian Art),[5] an American emergency aid initiative which established its headquarters at the Villa I Tatti, former home of the American art critic and connoisseur Bernard Berenson (1865–1959). From here she collaborated and liaised with many visiting conservators who had arrived in Florence to take part in the restoration work, as well as with local Florentine conservation experts and museum staff. One particularly memorable task was the retrieval and drying out of around 30,000 wet glass negatives.[6]

Much of Borsook's later work has also taken place at the Villa I Tatti (the Harvard University Center for Italian Renaissance Studies): she was appointed research associate there (1981-1989), then senior research associate (2003-2015), and is now senior research associate emeritus.[1] She has also taught as a visiting professor at the New York University Institute of Fine Arts, as well as other institutes in the USA, Italy and Australia.[1] She declined a Samuel H. Kress Professorship at the National Gallery of Art in Washington DC as the fellowship would have involved a year's absence from her work in Italy.[2]

Photographs contributed by Borsook to the Conway Library are currently being digitised by the Courtauld Institute of Art as part of the Courtauld Connects project.[7][8]

In 1999 more than 20 art historians provided essays for the publication of a book titled Mosaics of friendship: studies in art and history for Eve Borsook as a 70th birthday tribute to Borsook.[9][10]