Faith Domergue

Domergue and Robert Mitchum in Where Danger Lives (1950).

After graduating in 1942, Domergue continued to pursue a career in acting, but after sustaining injuries in a near-fatal car accident, her plans were put on hold.[10] While recuperating from the accident, she attended a party aboard Howard Hughes' yacht.[14] Enamored with her, Hughes bought out her contract with Warner Brothers, [13] signed her to a three-picture deal with RKO,[15] and cast her in the thriller Vendetta (1950). The film had a long and troubled production history, with reshoots and several changes of director, further exacerbated by Hughes's health problems following a near-fatal plane crash he endured in July 1946.[13] The production extended over four years and cost $3.5 million.[16]

By the time of Vendetta's premiere in 1950, Domergue had left Los Angeles for Palm Springs, and was pregnant with her second child.[17] After the film's release, Domergue separated from Hughes, disappointed with the way the film and her career had been handled: "I was told he spent five million dollars publicizing me", she said, "but [the] film was['nt properly] released. It was all wasted".[17] The critical reception was also dismissive. The New York Times panned the film as "a garrulous, slow and obvious period piece, weighed down by a profusion of exotic accents, undistinguished dialogue, and unconvincing play acting... set against a background of the wild, Corsican countryside, which does give the picture an atmosphere of suspenseful authenticity".[18] The review damned Domergue's performance with faint praise: "Faith Domergue, the heralded newcomer, is less than a fiery heroine. But despite the flamboyant lines that are her lot, the attractive Miss Domergue does occasionally contribute genuine emotional acting to the proceedings."[18]

Following Vendetta, Domergue freelanced in the film noir Where Danger Lives (1950), playing a femme fatale opposite Robert Mitchum and Claude Rains. Bosley Crowther, in The New York Times, criticized Domergue's performance for "manifest[ing] nothing more than a comparatively sultry appearance and an ability to recite simple lines."[19]

After having lived briefly in England with her husband, Domergue returned to the United States in 1953, when she signed a contract with Universal Pictures.[20] Her final credit for RKO was the 1954 drama This Is My Love, which was shot after the release in 1952 of her first film with Universal, The Duel at Silver Creek, in which she appeared opposite Audie Murphy.[21]

In 1955, Domergue appeared in another Western, Santa Fe Passage, playing an ammunition retailer opposite John Payne and George Keymas.[22] Domergue then appeared in a series of science fiction, monster, and horror films. The first of these was Cult of the Cobra (Universal Pictures 1955), in which six American Air Force officers discover a Lamian cult of snake worshippers.[23] This was followed with a role in Columbia Pictures's It Came from Beneath the Sea, a science fiction-monster film which was a major commercial success, grossing $1.7 million at the box office.[24] The following year, Domergue starred in This Island Earth (1955), Universal's first color science fiction film.[25] The film received moderate critical praise for its performances and writing, as well as its inventive special effects.[25] Domergue's tenure in these pictures earned her a reputation as an early scream queen.[26]

From late in 1955, Domergue appeared in a string of European productions: the British science fiction film The Atomic Man (1955), directed by Ken Hughes; British noir films Soho Incident (1956)[27] and Man in the Shadow (1957),[28] released in the United States as Violent Stranger ; and the Italian production, The Sky Burns (1958).

In the late 1950s and 1960s she made many appearances on popular television series,[29] including Sugarfoot, Have Gun – Will Travel, Bonanza, The Rifleman, and two episodes of Perry Mason. In the first Perry Mason episode, "The Case of the Guilty Clients" (1961), she played murderer Conception O'Higgins, and in "The Case of the Greek Goddess" (1963) she played murder victim Cleo Grammas.

By the late 1960s, Domergue was appearing mainly in low-budget "B" horror movies and European productions. Domergue's last foray in science fiction was Voyage to the Prehistoric Planet (1965), an American version of a Russian film, mainly backed by Russian producers and populated with Russian actors.[30] She began traveling to Italy in 1952, living in Rome for extended periods. She relocated to Europe permanently in 1968, moving from Rome to Geneva, Switzerland, and Marbella, Spain, until the death of her Italian husband, Paolo, in 1991. In the late 1960s, she appeared in several Italian giallo films, including Lucio Fulci's One on Top of the Other (1969), and Alberto De Martino's The Man with Icy Eyes (1971). Her final film credit was for The House of Seven Corpses (1974), an independent horror film shot in Salt Lake City.[31]

• Carter, Steven (2003). I Was Howard Hughes. Bloomsbury. ISBN 978-1-582-34375-4.
• Charyn, Jerome (1996). Movieland: Hollywood and the Great American Dream Culture. New York University Press. ISBN 978-0-814-71550-5.
• Parla, Paul; Mitchell, Charles P. (2000). Screen Sirens Scream!: Interviews with 20 Actresses from Science Fiction, Horror, Film Noir, and Mystery Movies, 1930s to 1960s. McFarland. ISBN 0-7864-0701-8.
• Weaver, Tom (2011). I Was a Monster Movie Maker: Conversations with 22 SF and Horror Filmmakers. McFarland. ISBN 978-0-786-46444-9.