Fernando Zialcita

Fernando Nakpil Zialcita is a Filipino anthropologist and cultural historian.[1] His areas of specialization are in heritage and identity; art and its cultural context; and interfaces between the foreign and the indigenous.[2] Zialcita is a professor at the Department of Sociology and Anthropology at the Ateneo de Manila University and is program director of the Ateneo Social and Cultural Laboratory (ASCL).[3] He obtained his M.A. in philosophy at the Ateneo de Manila University and an M.A. and Ph.D. in Anthropology from the University of Hawaii.

His work Authentic Though Not Exotic: Essays on Filipino Identity (2005) argues against views of Filipino identity (in particular, those of the lowland Christian Filipino) as "bastardized," "corrupted," non-Asian, or too Western which, Zialcita claims, generally stems from (1) "the demonization of Spanish influence; (2) a limited menu of binaries of interpreting culture (i.e., colonial versus noncolonial/anticolonial and Asia versus West); (3) and reductionist [nativist] views" of culture among Filipinos including writers and scholars.[4]

Zialcita proposes appreciating Filipino culture as one that is mestizo, where cultural mestizaje (derived from Mexican "mixing") is viewed as a desirable process, "articulated in terms of tensions and oppositions which are accepted as part of being human" (230). Mestizo which implies a blending of cultures carries with it more positive associations in contrast to notions of hybridity, "mongrel," or "half-breed."[5]

Personal life

Zialcita is part of the Nakpil family of Quiapo, Manila who are direct descendants of musician and composer Julio Nakpil and Gregoria de Jesús, widow of revolutionary leader Andres Bonifacio.[6] He is a board member of The Bahay Nakpil-Bautista Foundation, Inc., a foundation dedicated to the preservation of the historic Nakpil-Bautista ancestral house.[6] Zialcita is fluent in Filipino, English, and Spanish.

Published works

Philippine Ancestral Houses,1810-1930. (1980).[7]

Notions of Justice: A Study of an Ilocos and a Bulacan Barangay. (1989).

Tropical Living: Contemporary Dream Houses in the Philippines. (1990). (Ed. with Elizabeth V. Reyes, Paulo Alcazaren, and A. Chester Ong).

The Soul Book: Introduction to Philippine Pagan Religion (The Philippine Reader No. 1). (1991). (Ed. with Francisco R. Demetrio, Gilda Cordero-Fernando, and Roberto B. Feleo).

Filipino Style. (1997). (Ed. with Rene Javellana, Fernando Nakpil-Zialcita, Luca Invernizzi Tettoni [Photographer] and Tara Sosrowardoyo [Photographer], and Elizabeth V. Reyes).

Cuaresma. (2000). (Ed. with Gilda Cordero-Fernando).

Authentic Though Not Exotic: Essays on Filipino Identity. (2005). Ateneo de Manila University Press. [Winner, National Book Award (2006)].

Quiapo: Heart of Manila (2006). (Ed.).

Endangered Splendor (with E. Akpedonu, V. Venida) [forthcoming].[8]

See also

References
  1. Zialcita, Fernando Nakpil. "Magisterial Lectures | Fernando N Zialcita PhD - The Enlightenment: Still Burning Bright. Areté Ateneo".
  2. "Instituto Cervantes to Hold Online Talk on The Filipino Identidad".
  3. "Zialcita, Fernando N."
  4. Zialcita, Fernando N. (2005). Authentic Though Not Exotic: Essays on Filipino Identity. Quezon City.
  5. Zialcita, Fernando N. (2005). "We Are All Mestizos." In Authentic Though Not Exotic: Essays on Filipino Identity. Quezon City: Ateneo de Manila University Press. pp. 211–266.
  6. "THE BAHAY NAKPIL-BAUTISTA FOUNDATION INC".
  7. "Philippine Ancestral Houses (1810-1930) by Fernando N. Zialcita".
  8. "Forthcoming Titles. Ateneo de Manila University Press".
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