Future Library project

The project was conceived by Katie Paterson during the summer of 2014. It is managed by the Future Library Trust and supported by the City of Oslo, Norway. It was produced for the Slow Space public art program and commissioned by Bjørvika, Oslo's former container port, and its development corporation.[3]

The manuscripts will be held in a specially designed room at the new Deichman Library (Oslo Public Library) currently under construction in Bjørvika, Oslo.[4][5] The 'Silent Room' where the manuscripts are to be kept will be built using wood from the original trees felled to make way for the trees planted for the project.[6] Katie Paterson has been working with the architectural team to design this part of the new public library.[7] The collected works will be on display but the manuscripts will not be available for reading.

One thousand certificates entitling the holder to the full 100-work anthology when published in 2114 are being sold by the artist's galleries: Ingleby Gallery (Edinburgh), James Cohan Gallery (New York) and Parafin (London). Initially sold for £625, the price increased to £800 in 2017.[8][9] The certificates, double-sided and printed on hand-made paper (also made from the original trees felled for the project), depict a cross section of a tree with 100 tree-rings symbolising the time period for the project.

The Future Library project has been generally met with interest and intrigue by the media, though it has attracted criticism from some for its emphasis on preventing readership between 2014 and 2114.[10] Writing for Flavorwire, Moze Halperin called the project "art whose intention is to exclude a few generations" and criticized the class exclusivity planned for the works even after they are released.[11]

The identity of each contributing author is announced yearly around October; they then submit their manuscripts to the collection the following spring at a public 'handover ceremony' in the forest where the trees are growing. Current contributors to the collection are:

• 2014 – Margaret Atwood, Scribbler Moon, submitted 27 May 2015.[12][13]
• 2015 – David Mitchell, From Me Flows What You Call Time, submitted 28 May 2016[14]
• 2016 – Sjón, As My Brow Brushes On The Tunics Of Angels or The Drop Tower, the Roller Coaster, the Whirling Cups and other Instruments of Worship from the Post-Industrial Age, submitted 2 June 2017[15][16]
• 2017 – Elif Shafak, The Last Taboo, submitted 2 June 2018[17][18]
• 2018 – Han Kang, Dear Son, My Beloved, submitted 25 May 2019[2][19]
• 2019 – Karl Ove Knausgård[20]
• 2020 – Ocean Vuong[21]

The Future Library Trust's committee of trustees make a new selection annually based on the criteria "outstanding contributions to literature or poetry, and for their work's ability to capture the imagination of this and future generations".[22] Umberto Eco and Tomas Tranströmer, both deceased as of 2016, were previously considered as potential contributors. All other authors approached by Paterson have accepted the invitation.[23]

One of the few details known about the books was revealed accidentally when David Mitchell stated that his book quotes the lyrics of "Here Comes the Sun", a song expected to enter the public domain in the late 21st century.[23]

• Official website
• Artist's website for the project