Fyodor Burdin

Burdin, who routinely staged in his home the premiere readings of Ostrovsky's plays and took upon himself the role of their primal reviewer, enjoyed the right to choose the leading parts for himself, which he often did at the expense of productions' quality. Lauded for his role as a catalyst in the general development of the Russian theatre in the mid-19th-century, Burdin the actor was unpopular with theatre critics, notably Apollon Grigoriev who coined the term 'burdinism' to denote what he saw as the contemporary Russian stage actors' worst flaws: pompousness and penchant for banality.[1]

Burdin translated numerous French vaudevilles; several 'originals' that he wrote were, in effect, re-makes of the current French theatre repertoire. In 1876 his 2-volume Collection of Plays Translated from French came out in Saint Petersburg. He also authored the Brief Textbook of the Art of Drama (1886, Moscow), addressed to the young actors, as well as several memoirs, including "Emperor Nikolay Pavlovich as Remembered by an Actor" (Воспоминания артиста об императоре Николае Павловиче, Istorichesky Vestnik, 1886. Vol. 23. No. 1) and "Remembering A. N. Ostrovsky" (Из воспоминаний об А. И. Островском, Vestnik Evropy, 1886, No. 12).[1][2]