GS I Love You Too: Japanese Garage Bands of the 1960s

GS I Love You Too: Japanese Garage Bands of the 1960s is the second installment in the GS I Love You CD compilation series, featuring songs from the Group sounds (or GS) movement in Japan during the 1960s (the first CD being GS I Love You).[1] GS was essentially the Japanese variant of garage and psychedelic rock.[2][3] Japan, like many Western countries, experienced a beat boom in the 1960s as a result of the British Invasion, particularly in the wake of the Beatles' 1966 visit to the country.[2][4][5] Though the Japanese beat craze blossomed slightly later than in the West, it stretched well into the end of the decade, with groups continuing to play in the beat/garage style after it had fallen out of favor elsewhere.[2][6] Surf rock, which had been popular in Japan since before the arrival of the Beatles continued to exert influence on the music throughout the decade.[2][5] Bands typically sang in both Japanese and English.[2] GS I Love You Too was issued in 1999 by Big Beat Records.[3] Like the first entry in the series, it is noted for good mastering and high sound quality.[2] The front cover sleeve of the CD is adorned with a backdrop of bright red sun rays invoking the pre-WWII (pre-surrender) Japanese imperial flag, and the inside includes English liner notes that provide biographical information about the groups and their songs.[2][3]

GS I Love You Too: Japanese Garage Bands of the 1960s
Compilation album
Released	November 9, 1999
Recorded	1960s
Genre	Group sounds Garage rock psychedelic proto-punk
Length	1:17:44
Label	Big Beat
chronology
GS I Love You: Japanese Garage Bands of the 1960s (1996) GS I Love You Too: Japanese Garage Bands of the 1960s (1999)

The set commences with "Hanashitakunai" by the Youngers, who re-appear with other up-tempoed, fuzz-laced confections such as "Zin Zin Zin", "My Love, My Love" and "Do the Whip The Carnabeats' frantic British Invasion-inspired sound is featured on several cuts such "Chu Chu Chu", "Sutekina Sandy", "Give Me Lovin'", and "Love Only You".[3] The Tempters are more stylistically and rhythmically diverse as evidenced in "Himitsu No Haikutoba", "Kono Mune Ni Dakishimete", "Bokutachi Tenshi", and "Kamisama Onegai".[3] The Jaguars start with "Dancing Lonely Night" but then venture into the album's most intense flight into psychedelia with "Seaside Bound", then return with "Stop the Music", and "Beat Train".[3] The Savage provide a surf rock instrumental in "Space Express". Lind & the Linders manage to combine 60s garage raunch with pop polish in "Koi Ni Shiberete".[3]