Georgetown (film)

Georgetown is a 2019 crime film directed by Christoph Waltz in his feature directorial debut, and written by David Auburn, based on The New York Times Magazine article "The Worst Marriage in Georgetown" by Franklin Foer.[4][5] Waltz stars alongside Vanessa Redgrave, Annette Bening and Corey Hawkins.

Georgetown
Film poster
Directed byChristoph Waltz
Produced by
Written byDavid Auburn
Based on"The Worst Marriage in Georgetown"
by Franklin Foer
Starring
Music byLorne Balfe
CinematographyHenry Braham
Edited byBrett M. Reed
Production
company
Release date
  • April 27, 2019 (2019-04-27) (Tribeca)
Running time
99 minutes[1][2][3]
CountryUnited States
LanguageEnglish
Box office$2,132[2]

It had its world premiere at the Tribeca Film Festival on April 27, 2019.

Premise

An ambitious social climber becomes the main suspect in his wealthy (and much older) wife's death. Based on the true story of the murder of Viola Herms Drath.

Cast

Production

It was announced in May 2015 that Christoph Waltz would make his feature directorial debut with The Worst Marriage in Georgetown, in which he'd also star as the main character Ulrich Mott.[6]

In May 2017, Vanessa Redgrave was cast in the film as the wealthy socialite Mott marries in order to up his social status.[7] Annette Bening joined the film, now titled Georgetown, in September, with filming commencing in Toronto between August 3 and September 16, 2017.[8][9]

Release

It had its world premiere at the Tribeca Film Festival on April 27, 2019.[10] Shortly after, Variance Films acquired distribution rights to the film.[11] Its earliest theatrical release was in Italy on June 16, 2020.[2]

Reception

Box office

Georgetown grossed $2,132 in Italy.[2]

Critical response

On review aggregator Rotten Tomatoes, the film holds an approval rating of 45% based on 11 reviews, with an average rating of 5.05/10.[3] On Metacritic, it holds a weighted average score of 46 out of 100, based on 5 critics, indicating "mixed or average reviews".[12]

The Hollywood Reporter praised the film, noting that "it's the kind of serious but broadly appealing, modestly scaled picture that people love to say doesn't exist any more."[13]

References

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