Green Grow the Rushes, O

The twelfth, cumulated, verse runs:

I'll sing you twelve, O[lower-alpha 1]

Green grow the rushes, O

What are your twelve, O?

Twelve for the twelve Apostles

Eleven for the eleven who went to heaven,

Ten for the ten commandments,

Nine for the nine bright shiners,[lower-alpha 2]

Eight for the April Rainers.[lower-alpha 3]

Seven for the seven stars in the sky,[lower-alpha 4]

Six for the six proud walkers,[lower-alpha 5]

Five for the symbols at your door,[lower-alpha 6]

Four for the Gospel makers,

Three, three, the rivals,

Two, two, the lily-white boys,

Clothed all in green, O[lower-alpha 7]

One is one and all alone[lower-alpha 8]

And evermore shall be so.

The lyrics of the song are in many places extremely obscure, and present an unusual mixture of Christian catechesis, astronomical mnemonics, and what may be pagan cosmology. The musicologist Cecil Sharp, influential in the folklore revival in England, noted in his 1916 One Hundred English Folksongs that the words are "so corrupt, indeed, that in some cases we can do little more than guess at their original meaning".[1]

The song's origins and age are uncertain: however, a counting song with similar lyrics, but without the 'Green grow the rushes' chorus, was sung by English children in the first half of the 19th century.[2][lower-alpha 9] By 1868 several variant and somewhat garbled versions were being sung by street children as Christmas carols.[3] Sharp states that the song was very common in Somerset and the whole of the West of England.[1]

"Green grow the rushes, Ho" (or "O"), the chorus, is not included in Sharp's version, which has simply the call and refrain "Come and I will sing to you. What will you sing to me? I will sing you one-e-ry. What is your one-er-y? One is One..." However, Sharp records that "a form of this song, 'Green grow the rushes, O' is known at Eton", that it was printed in English County Songs, and that Arthur Sullivan had included a version in the Savoy opera The Yeomen of the Guard. Sharp discusses at length the similar Hebrew song "Echad Mi Yodea" (Who Knows One?), which accumulates up to thirteen and is sung at many Jewish Passover seders.[lower-alpha 10][1]

The twelve stanzas may be interpreted as follows:

"Twelve for the twelve Apostles"

This refers to the twelve Apostles of Jesus, although the number has other meanings; it may originally have referred to the months of the year, for example. Sharp states that there were no variants of this line.[1]

"Eleven for the eleven who went to heaven"

These are the eleven Apostles who remained faithful (minus Judas Iscariot),[1] or possibly St Ursula and her companions.

"Ten for the ten commandments"

This refers to the ten commandments given to Moses.

"Nine for the nine bright shiners"

The nine may be an astronomical reference: the Sun, Moon and five planets known before 1781 yields seven and to this may be added the sphere of the fixed stars and the Empyrean, or it may refer to the nine orders of angels. Sharp records no variants in Somerset, but that Sabine Baring-Gould found a Devon variant "The nine delights" which Sharp glosses as "the joys of Mary".[1]

"Eight for the April Rainers"

The April rainers refer to the Hyades star cluster, called the "rainy Hyades" in classical times, and rising with the sun in April; the Greeks thought of the Hyades as inaugurating the April rains. Or this may refer to the rains of Noah's Flood.

"Seven for the seven stars in the sky"

The seven are probably the Seven Sisters, the Pleiades star cluster. Other options include Ursa Major,[1] or the seven traditional planets. Alternatively, they could be the seven stars of Revelation chapter 1, verse 16, which are held in the right hand of Christ and explained as referring to seven angels of the seven early Christian churches. Another possibility is the Jewish cross, a constellation over Israel.

"Six for the six proud walkers"

This may be a corruption of 'six proud waters', a reference to the six jars of water that Jesus turned into wine at the wedding feast at Cana of Galilee, (John 2:6). Sharp notes that this was suggested by the editors of English County Songs.[1] Or it may refer to Ezekiel 9:2 where six men with swords come in a vision of the prophet to slaughter the people, whose leaders (8:16) have committed such sins as turning East to worship the Sun, and "have filled the land with violence".

"Five for the symbols at your door"

The symbols above the door could mean the mezuzah, which contains a section of the Torah and is inscribed with symbols or could be a reference to the marks of blood that God commanded the Israelites to put upon their doorways at the Exodus (cf Exodus 12:7). It may also allude to the practice of putting a pentagram at the door of a house to ward off witches and evil spirits in the late Middle Ages and the Early Modern period, and is alluded to in literary works. John Timpson's book Timpson's England states that it refers to five symbols displayed above the doorways of houses that would shelter Catholic priests. He gives an example of a house where these can still be seen. [lower-alpha 11]

"Four for the Gospel makers"[lower-alpha 12]

This refers to the four Evangelists, Mathew, Mark, Luke and John.

"Three, three, the rivals"

'Rivals' may be a corruption of "Riders", "Arrivals", or "Wisers", referring to the three Magi of the Nativity.[1] The suggestion of the Trinity leaves "the rivals" unexplained. Perhaps it is not intended to mean "3 competitive rivals" but rather, the 4th century rival philosophical controversies about the trinitarianism: the nature of God as 3 entities? The rivalry was about which wording could be accepted by a majority, and so would become established as part of the orthodox Christian creed.[4][5] Another possibility is the trio of Peter, James and John, often mentioned together in the Gospels, who had a dispute "among them as to which of them was considered to be greatest" (Luke 22:24). Pastor Paul Kolch of Trinity Lutheran Church in Sacramento taught that the three referred to Shadrach, Meshach, and Abednego, who resisted burning in the fiery furnace and were "rivals" to the Babylonians. Another option is Yr Eifl, a group of three similar and adjacent mountains in Wales called "The Rivals" in English. A classical option is Hera, Athena, and Aphrodite, the three goddesses between whom the Judgement of Paris was made.

"Two, two, the lily-white boys"

"Clothed all in green, Ho"[lower-alpha 13]

Many traditions hold that Jesus and John the Baptist were born without original sin making them "the lily-white boys". "the infant [John the Baptist] leaped in her [Elizabeth's] womb" (Luke 1:41).

This may refer to the story of the Transfiguration of Jesus where Moses and Elijah appear with Jesus in clothes of 'dazzling white'. The "dressed in green" would then refer to St Peter's suggestion that the disciples build shelters of branches for Moses, Elijah and Jesus. Robert Graves suggested that the reference is the defeat at Yule of Holly King by the Oak King.[6]

Sharp cites Baring-Gould's suggestion of an astronomical mnemonic, the Gemini twins (Castor and Pollux) or "signs for Spring".[1] In support of this, Gemini is the northernmost constellation in the zodiac, therefore high in the winter sky in the northern hemisphere where the Aurora Borealis on occasion clothes the heavenly twins in green.

Another explanation is that the statues of St John and Our Lady which, in Christian churches, flank the crucifix on the altar reredos or the rood screen were, during Holy Week, bound with rushes to cover them. (During Holy Week, from Palm Sunday until Easter Day, all statues, crosses, and crucifixes are traditionally covered from view, and all flowers are removed from the Church.) The two figures were portrayed in similar garments, hence "lily-white boys", and wrapped in rushes they were "Clothed all in green".

There is also a version: "two, two, the lily white pair, clothen all in green, Ho" which may refer to Adam and Eve.

William Winwood Reade implies that the stanza refers to Ovades who performed sacrifices for the Druids.[7] Normally they would be dressed in white, but their sacerdotal robes would be green. These people would be novices, hence the slang 'green'. According to the writer and folklorist Tom Slemen, such practices were still being performed in secret in the last century, by a cult known as "The Lily White Boys" in the North West of England.

"One is one and all alone" (sometimes "One is one and one alone" or "One is one and stands alone")

This appears to refer to God.

Apart from the Notes and Queries[lower-alpha 9] and the Hebrew[lower-alpha 10] versions already mentioned, the following variants are known.

• I'll Sing You One Oh
• The Carol of the Twelve Numbers
• The Twelve Apostles
• The Dilly Song
• The Dilly Carol
• The Counting Song
• Come and I Will Sing You
• Stay and I’ll Sing

• A medical version of the song is featured in the TV Sitcom "Doctor in the House" episode "Keep it Clean" and is sung by students Michael Upton, Duncan Waring, Paul Collier, Dave Briddock, and Huw Evans in the student union bar.
• The spiritual "Children, Go Where I Send Thee" has a similar format, counting down from ten or twelve biblical references.
• "Echad Mi Yodea" ("Who Knows One?"), a Hebrew song sung at the end of the Jewish Passover seder, has a very similar structure, counting up to thirteen using biblical and religious references.
• The song "The Ten Commandments", on Figgy Duff's album After The Tempest is a variant, omitting the last two symbols.
• A filk song titled "High Fly the Nazgul-O!" uses the same tune but the lyrics have been changed to refer to The Lord of the Rings.
• The comedy character Rambling Syd Rumpo sang a parody called "Green Grow My Nadgers, O" on the Round the Horne radio comedy programme.
• In the Gilbert & Sullivan opera The Yeomen of the Guard, the duet "I Have a Song to Sing, O" was inspired by a variant of this song, beginning "Come, and I will sing you".[9]
• In The Children of Green Knowe, by Lucy M. Boston, Tolly sings the first two verses of the song.
• In the "Too Many Christmas Trees" episode of the 1960s U.K. TV series The Avengers, Steed sings the first two verses of this song to avoid having his mind influenced by his adversaries with psychic powers.
• The Society for Creative Anachronism kingdom of Ealdormere has a filk version of the song, using the tune and the count-down format; the final line is "And one for the land of Ealdormere that ever more shall be so".
• The Two Ronnies performed a satirical version as members of a Russian Choir. "Green" was changed to "Red". Memorable lyrics included: "Six for the Common Market / Five pence a mile to drive your car / And four pounds just to park it / Three P for a rotten cup of tea / Tu-tu for women's lib / Now they've burned their bras - O! / One is one, and all alone, and that is Greta Garbo".
• The song was very popular at holiday camps up until about the 1970s, where campers would perform actions whilst enthusiastically singing along to each verse. In this version the lyrics to verse 2 were completely changed to "two, two, the same to you; how's your father? he's alright". The only other deviation from the standard lyrics was in verse 5 where "symbols" was replaced with "cymbals" to which campers would bang drink trays together to mimic cymbals.
• "Red Fly the Banners, O" is a Marxist-Leninist version of the song.
• There is a reference to "the lily-white boy" in W. H. Auden's poem "As I Walked Out One Evening".
• The song is referred to in the famous Aubrey-Maturin series by Patrick O'Brian, specifically on pg 271 of Post Captain.
• Twelve of Anthea Fraser's novels featuring fictional detective David Webb reference lines of the song.
• The song is sung by Mary Ann "Polly" Nichols preceding her murder in Alan Moore's From Hell. Though there is no record of Nichols knowing the song or being known to sing it, Moore admits in his annotations that he included the song to tie into the book's theme of the pagan symbolism of Britain - as well as it being a song likely to be sung by a citizen of London in the 1800s.
• A variation of this song using nature references and extending only from one to five is performed by an animated turtle in children's TV show Sesame Street.
• Jilly Cooper's novel Rivals references the song several times: the three companies are described as the "three rivals" and lines from the song are sung by characters.
• The Canadian folk rock band Great Big Sea recorded a version titled "Come and I Will Sing You" on their 2005 album The Hard and the Easy.
• Terry Pratchett's novel Hogfather features two brothers that share the last name "Lilywhite"; the book also contains a fictional holiday carol "The Lilywhite Boys".
• The American band R.E.M. wrote a song named "Green Grow the Rushes" that was released in 1985 on their album Fables of the Reconstruction.
• Jonathan Stagge's (pseud. see Patrick Quentin) mystery novel Death's Old Sweet Song (1946) has a series of murders referencing lines of the song.
• Australian writer Garth Nix's Old Kingdom book series incorporates a version of the song, as well as the idea of Nine Bright Shiners, into its cosmology.
• The song is referenced in Shirley Jackson's novel Hangsaman.

• Set by Benjamin Britten (as The Twelve Apostles) in 1962 for the London Boy Singers. There is a recording by Philip Langridge and the Wenhaston Boys Choir on #13 from the Naxos English Song Series (8.557222 - originally released on Collins Classics).

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