Gu Xiong (artist)

Gu Xiong (born 1953) is a Canadian contemporary artist.[1][2]

Gu Xiong
Born1953 (age 6768)
Chongqing, China
NationalityCanadian
OccupationArtist, professor
Known forinstallation, painting, drawing, photography, performance
WebsiteOfficial website

Life

Gu Xiong was born 1953 in Chongqing, Sichuan, China.[1] At the age of 18, during the Chinese cultural revolution, Xiong was sent to live in the countryside where he sketched scenes of rural life.[3] He received a Bachelor of Fine Arts and a Master of Fine Arts degree (1985)[4] from the Sichuan Fine Arts Institute.[5] In 1986, he attended an artist residency at the Banff Centre for the Arts in Alberta Canada,[6] becoming the first artist from the People's Republic of China to do so.[7] After returning to China, he was a part of the 1989 China Avant-Garde exhibition that was shut down by the Chinese police a few hours after it opened, four months before Tiananmen Square protests of 1989.[8][9][10][11] Xiong immigrated from China to Vancouver Canada in 1989.[11][12][13][14]

Xiong lives in Vancouver, where he is a professor of art at the University of British Columbia.[15][16]

Work

Xiong is a multidisciplinary artist who works in media as diverse as painting,[17] drawing,[3] photography,[18] installation, performance,[19] video[18] and bronze sculpture.[20] He is known largely for his paintings, performances and installation works. In Interior View-- Fenced Wall, performed in 1989 at the China Avant-garde exhibition in Beijing, he painted images of a fence on paper and onto his clothing and performed with his face painted in pantomime-style.[19][21][22][23] He has also done numerous similarly titled works on paper.[24][25][26]

Collections

Xiong's work is included in the permanent collection of the National Gallery of Canada,[2] the Vancouver Art Gallery,[27] the Surrey Art Gallery and the Burnaby Art Gallery.[28]

References

  1. "Artist/Maker Name "Gu, Xiong"". Canadian Heritage Information Network. Retrieved 12 June 2016.
  2. "Gu Xiong 1953 -". National Gallery of Canada.
  3. Griffin, Kevin (2013-07-17). "Gu Xiong: Drawing sketches during the Cultural Revolution". Vancouver Sun. Retrieved 12 June 2016.
  4. Michael Sullivan (1996). Art and Artists of Twentieth-century China. University of California Press. pp. 302–. ISBN 978-0-520-07556-6.
  5. Lyon, Christine. "Gu Xiong's global journey connects the personal with the political". North Shore News. Retrieved 12 June 2016.
  6. Edward L. Davis (January 2009). Encyclopedia of Contemporary Chinese Culture. Taylor & Francis. pp. 321–. ISBN 978-0-415-77716-2.
  7. Richard King (1 July 2010). Art in Turmoil: The Chinese Cultural Revolution, 1966-76. UBC Press. pp. 118–. ISBN 978-0-7748-5911-0.
  8. Paul Yee (1 December 2009). Saltwater City: Story of Vancouver's Chinese Community. Douglas and McIntyre (2013) Limited. pp. 200–. ISBN 978-1-926706-25-2.
  9. Scott Tyson, Ann (1989-02-07). "Avant-garde Bursts onto Chinese Art Scene. 'Action art' symbolizes artists' determination to brashly take advantage of eased state censorship". Christian Science Monitor. Retrieved 12 June 2016.
  10. "Blossoming of influence". The Vancouver Sun. Canada.com. Archived from the original on 22 March 2016. Retrieved 12 June 2016.
  11. Yishu: Journal of Contemporary Chinese Art. Art & Collection Group. 2008.
  12. Marie Claire Huot (2000). China's New Cultural Scene: A Handbook of Changes. Duke University Press. pp. 150–. ISBN 0-8223-2445-8.
  13. Gillis, Charlie. "Why China's artists are making waves, and getting away with it". Maclean's Magazine. Retrieved 12 June 2016.
  14. Annie Wong Art Foundation; Western Front (Society) (1998). Jiangnan: modern and contemporary art from south of the Yangzi River. Annie Wong Art Foundation. ISBN 9780968406625.
  15. Conner, Shawn (2001-11-24). "Q and A: Artist Gu Xiong's work born of cultural reinvention". Vancouver Sun. Retrieved 12 June 2016.
  16. "Professor, Xiong Gu". University of British Columbia. Archived from the original on 29 September 2015. Retrieved 12 June 2016.
  17. Laurence, Robin (2014-05-28). "Gu Xiong: A Journey Exposed connects the local to the global". The Georgia Straight. Retrieved 12 June 2016.
  18. "Gu Xiong: The Course of Globalism". Canadian Art. Missing or empty |url= (help)
  19. Thomas J. Berghuis (2006). Performance Art in China. Timezone 8 Limited. pp. 87–. ISBN 978-988-99265-9-5.
  20. Craig Pearson; Judith Nasby (11 August 2008). The Cultivated Landscape: An Exploration of Art and Agriculture. MQUP. pp. 320–. ISBN 978-0-7735-7837-1.
  21. Richard E. Strassberg; Pacific Asia Museum (1 January 1991). I don't want to play cards with Cézanne, and other works: selections from the Chinese New Wave and Avant-Garde art of the eighties. Pacific Asia Museum. ISBN 978-1-877921-05-6.
  22. China Now. Society for Anglo-Chinese Understanding. 1988.
  23. Wilson, Gavin. "Profile: Cultural revolutionary: Artist Gu Xiong continues the struggle for his art in Canada". University of British Columbia. Retrieved 12 June 2016.
  24. "Barricade of Bicycles, June 4, 1989, 1990". National Gallery of Canada. Retrieved 12 June 2016.
  25. "Gu Xiong Barricade of Bicycles 1989 & Cafeteria #1" (PDF). Surrey Art Gallery. Retrieved 12 June 2016.
  26. Günter Meißner; K.G. Saur Verlag (2009). Gryt- Guerrin. Saur. ISBN 978-3-598-23031-8.
  27. "Insititute of Asian Art: Collection". Vancouver Art Gallery. Retrieved 12 June 2016.
  28. "Collections". Burnaby Art Gallery. Retrieved 12 June 2016.
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