Gula Gula

Gula Gula is an album by the Sámi singer Mari Boine, recorded in 1989 and released on the Virgin label. It provided her breakthrough, making her internationally famous; it was followed by numerous other albums. It won a Norwegian Grammy award in 1989.[1] Boine appeared on the album as "Mari Boine Persen", her Norwegian name; on later albums she used her Sami name only.[2]

Gula Gula ("Listen, listen")
Studio album by
Released1989
RecordedAugust–September 1989
StudioRainbow Studio, Oslo, Norway
GenreNordic traditional, Folk
Length34:35
LabelVirgin
CDRW 13
ProducerTellef Kvifte
Mari Boine chronology
Jaskatvuoa maá
(1985)
Gula Gula ("Listen, listen")
(1989)
Goaskinviellja
(1993)

The album was further released in 1991 by Atlantic (91631) and in 1993 by Real World Records (62312). An extended CD with bonus tracks was released by Emarcy/Universal (0177812) in 2000.

Reception

The Allmusic review awarded the album 5 stars.[3]

Professional ratings
Review scores
SourceRating
Allmusic[3]

The album is rooted in Mari Boine's experience of being in a despised minority; the song "Oppskrift for Herrefolk" ("Recipe for a Master Race") is sung in Norwegian, unlike the rest of the songs which are in Sami. It speaks directly of "discrimination and hate", and recommends ways of oppressing a minority: "Use bible and booze and bayonet"; "Use articles of law against ancient rights".[4] Other songs tell of the beauty and wildness of Sapmi (Lapland). The title track asks the listener to remember "that the earth is our mother".[5] Boine described in an interview with Norwegian American how the songs came about:[6]

I became very angry to our repression, to the fact that we were told that there was something wrong with our language and our culture. And it resulted in a sort of a volcano, in an explosion of songs that just came to me.[6]

Boine sings in a traditional Sami style, using a "jojk" voice, with a range of accompanying instruments and percussion. The instruments used are drum, guitar, electric bass clarinet, dozo n'koni, ganga, claypot, darboka, tambourine, seed rattles, cymbal, clarinet, piano, frame drum, saz, drone drum, hammered dulcimer, bouzouki, overtone flute, bells, bass, quena, charango and antara.[7]

The musicologist Olle Edström called the album's lyrics "still highly political", but noted that the music had changed, with folk musicians from Sweden, Peru and elsewhere, making the album "World music", or more precisely in Edström's characterisation "a mixture of rock with quasi-West-African rhythms, with short phrases sung in a kind of Sami/Native North-American technique and with rather few harmonies or drone-like harmonies".[8] In his view, the musical forms are simple, with "the musicians playing 'ethnic' instruments such as the West African drums, Mbira, Greek Bouzouki etc".[8] He describes her singing style as "a special 'ethnic' voice technique of her own" that "reminds Samish listeners in part of traditional jojk technique and convinces European listeners that it is".[8]

Silje F. Erdal, for Norway's FolkMusikk organisation, described the album as Boine's breakthrough, especially when Peter Gabriel released it on his Real World label. She noted that it was commissioned for the Sami Theatre, and that the title song Gula Gula, with its call to "hear the voices of the tribal mothers" has an "obvious feminist message". It won a Norwegian Grammy award (Spellemanprisen) in 1989.[1]

Merlyn Driver, writing for Songlines thirty years after the album's release, comments that "If you’ve heard of just one Sámi musician, it's probably Mari Boine", and that her voice "a bewitching combination of melancholy, vulnerability and strength, has never sounded more impressive than on Gula Gula".[9]

The title song formed the first (instrumental) track of the Norwegian jazz musician Jan Garbarek's 1990 album I Took Up the Runes. The contemporary reviewer Jim Aikin called the track "especially memorable".[10]

Track listing

All tracks are composed and performed by Mari Boine. All are in the Sami language, except as indicated.

  1. "Gula Gula" (Hear the Voices of the Foremothers) - 03:40
  2. "Vilges Suola" (White Thief) - 04:15
  3. "Balu Badjel Go Vuoittán" (When I Win Against Fear) - 04:00
  4. "Du Lahka" (Near You) - 05:14
  5. "It Sat Duolmma Mu" (Free at Last) - 03:48
  6. "Eadnán Bákti" (To Woman) - 03:17
  7. "Oppskrift for Herrefolk" (Recipe for a Master Race) - 03:54 (in Norwegian)
  8. "Duinne" (To You) - 06:27

Bonus tracks on 2000 CD:

  1. "Oarbbis Leat" 05:31
  2. "Čuovgi Liekkas" 04:11
  3. "Gula Gula" Chilluminati mix 04:48

Personnel

Mari Boine performing with a traditional drum in 2007
  • Mari Boine - vocals, drum, guitar
  • Eivind Aarset - guitar
  • Christer Bo Bothen - electric bass clarinet, dozo n'koni, ganga
  • Unni Shael Damslora - claypot, darboka, tambourine, seed rattles, cymbal
  • Tellef Kvifte - clarinet, piano
  • Roger Ludvigsen - guitar, breath, piano, frame drum, saz
  • Ale Möller - drone drum, hammered dulcimer, bosoki, overtone flute
  • Gjermund Silseth - bells, bass, piano
  • Leiv Solberg - bass
  • Carlos Zamata Quipse - quena, breath, charango, antara

References

  1. Ferdal, Silje (23 March 2011). "The one and only - Mari Boine". FolkOrg.no. Retrieved 6 October 2020.
  2. "RealWorld". RealWorldRecords.com. July 1990. Retrieved 11 November 2011.
  3. Allmusic Review accessed 5 October 2020
  4. "lyrics". Oook.info. Retrieved 5 October 2020.
  5. Mari Boine Persen, Gula Gula lyrics. "Archived copy". Archived from the original on 31 March 2012. Retrieved 2 September 2011.CS1 maint: archived copy as title (link)
  6. Nikel, David (13 October 2018). "Mari Boine: The Sound of the Sami". Life in Norway. Retrieved 6 October 2020.
  7. Booklet accompanying CD, Gula Gula, Mari Boine Persen, Real World Records (CDRW13), 1990.
  8. Edström, Olle (2003). "From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music". Studia Musicologica Academiae Scientiarum Hungaricae. T44 (Fasc. 1/2): 269–289. JSTOR 902650.
  9. Driver, Merlyn (27 March 2020). "The 10 Essential Sámi Albums". Songlines.
  10. Aikin, Jim (May 1991). "In Review". Keyboard. 17 (7 (#181)): 17.
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