Gurshabad

Born in Rampur Bhootwind village in Amritsar district of Punjab, Gurshabad always aspired to become a playback singer, and started learning and performing music at an early age of ten years.[2]

In September 2015, Gurshabad debuted as a singer with Vaar Bhagat Singh (dedicated to Shaheed Bhagat Singh), a duo collaboration along with Ammy Virk. In the same year, Gurshabad gave his first film appearance in a box-office success Angrej, in which Amrinder Gill played the lead role. After singing singles including Milne Di Rutt (ਮਿਲਣੇ ਦੀ ਰੁੱਤ) (2016), Geetkariyan (ਗੀਤਕਾਰੀਆਂ) (2016), and Tarakiyaan (ਤਰੱਕੀਆਂ) (2017), Gurshabad commenced his playback singing career with a track titled Rajya (ਰਾਜਿਆ) penned by Harman Jeet[3] in the film Sarvann (2017) produced by Priyanka Chopra, Madhu Chopra and Deepshikha Deshmukh.

Always conscious of how fragile the psychology of a human is and what vulnerabilities a song might expose one to, Gurshabad has been walking on a socially aware and culturally sensitive path in his music and film career.[2] Gurshabad's playback tracks in the Punjabi cinema such as "Laari" (ਲਾਰੀ) in Vekh Baraatan Challiyan (2017), "Tappay" (ਟੱਪੇ) in Sat Sri Akaal England (2017), and "Selfie" in Golak Bugni Bank te Batua (2018)[4][5] has turned out to be commercially successful. Since its release in early April 2018, "Selfie" remained on the UK Asian Music Chart by Official Charts Company for eleven weeks with peak position of 23.[6] Gurshabad is also widely appreciated as a Geetkariyan singer; for this he has also been awarded with PTC Punjabi Music Award for best song with a message.[7]

Since his beginning in the music industry, Gurshabad has been quite vocal about the depth of his interest in exploring the culture of Punjab through its textual and oral histories. Always keen to stretch the dimensions of his brain, Gurshabad firmly believes that music carries both a power of documenting as well as perpetuating the contemporary culture and realities of societal structure. As music and social psychology carry a reciprocal relationship, he has been visibly unsettled by the fact that for more than a decade, contemporary Punjabi music has been openly encouraging and glamorizing some inherently toxic ideas including the consumption of drugs, and rape culture in the name of commercialization.

Without denying his preference for singing folk literature, in the recent interviews for Golak Bugni Bank Te Batua, Gurshabad has made it clear that "I am all exploratory when it comes to performing art, and would try to avoid limiting myself to any particular genre." [8]

• Gurshabad at IMDb