Hédi Temessy

Hedvig Temesi was born on 6 May 1925, in Budapest. Her mother was originally from Alsace-Lorraine and her maternal grandfather was a master iron worker, who had immigrated to France from Graz. As a child, she learned German from her mother. After completing her education at the State Teacher Training Institute, she enrolled in the National Actors' School just before the start of World War II. Three months before completing her training, Temesi refused to take the compulsory political courses, as her teaching certificate confirmed she had already successfully been examination on those subjects and she wanted to take more practical courses. The school dropped her from the roles, but Márton Rátkai was able to intervene and get her accepted to a school directed by the Actors Association, from which she graduated in 1948.[2][3]

In 1950, Temessy became a member of the Youth Theater and then played at Petőfi Theater. Between 1950 and 1977, she worked at a variety of theaters, including the Jókai Theater, the József Attila Theater, National Theater and the Thália Theater, among others.[3] Because of her skill with German language, the fact that she was not a member of the Communist Party, and was a divorced, single mother, raising her son alone, Temessy was often fired from jobs as a suspicious enemy of the state, but her skill always allowed her to find theater work, even if she could not work in film.[2][4]

Her first film role was as Mary Döry in the film Különös házasság (Strange Marriage, 1951), based on a novel by Kálmán Mikszáth of the same name. Three years would lapse before her next film, Rokonok (Relatives, 1954), directed by director Félix Máriássy.[2] From the mid-1960, with a shift in the country's political climate, she began to attain roles in such film and television shows as Sellő a pecsétgyűrűn (Seller on Seal Ring, 1966), Egri csillagok (Stars of Eger, 1968), and Imposztorok (Impostors, 1969).[4] In 1977, she was finally allowed to join the Hungarian Film Company Company,[3] and increasingly from the 1970s, she found work with a new generation of directors who did not care about her private history.[4]

Some of her most known stage roles include: Timea in Mór Jókai′s Az arany ember (The Golden Man); Márta in Gergely Csiky′s A nagymama (The Grandmother); Madelaine Béjart in Mikhail Bulgakov′s Az álszentek összeesküvése (The Conspiracy of Hypocrites); and Clara Zachanassian in Friedrich Dürrenmatt′s Az öreg hölgy látogatása (A Visit of the Old Lady).[3] In 1985, she was awarded as the Best Female Actress by the jury of the Hungarian Feature Film Review for her portrayal in Őszi almanach (Autumn Almanac, 1984), directed by Béla Tarr.[2]

After Temessy divorced her husband, she began a relationship with actress Hilda Gobbi and they lived together from the late 1950s to 1960s in a home in Buda.[5][6][4] Homosexuality was no longer a crime after 1961 but was classified as a mental illness. After Gobbi and Temessy ended their relationship, Gobbi became the partner of the writer Erzsébet Galgóczi.[6]

• 1941 Farkas–Ratkó Prize
• 1949 Kossuth Prize
• 1950 Republic of Hungary award for deserving artist (A Magyar Köztársaság Érdemes Művésze díj)
• 1955 Republic of Hungary award for outstanding artist (A Magyar Köztársaság Kiváló Művésze díj)
• 1977 SZOT prize
• 1982 Worthy Artist[3]
• 1995 Officer of Order of Merit of the Republic of Hungary[2]

• Hédi Temessy at IMDb
• Temessy Hédi, port.hu