Hamster Theatre

Hamster Theatre was formed by multi-instrumentalists Dave Willey and Jon Stubbs in 1993. They had both been members of Big Foot Torso, but Willey left to spend time in Europe where he experienced Rock in Opposition and related music. Willey was particularly drawn to the music of Swedish accordionist Lars Hollmer from Samla Mammas Manna. When he returned to the United States, Willey recorded a solo album entitled Songs from the Hamster Theatre, which he released on cassette tape (later reissued on CD in 1995). Stubbs then joined forces with Willey and they formed Hamster Theatre, with an initial lineup of Willey (keyboards, guitar, melodeon), Stubbs (bass guitar), Deborah Perry (keyboards, vocals), Steve Doyle (guitar), Greg LaLiberte (saxophones, flute), Josh Wright (drums) and Jay Trolinger (percussion). The group played Hollmer covers and songs from Willey's album at venues across Colorado. Their first performance was on August 20, 1993 at the Penny Lane coffeehouse in Boulder, Colorado.[1][4]

Hamster Theatre then went through several personnel changes, including Doyle, Wright and Trolinger leaving, and Mark McCoin joining on drums. Willey and Stubbs added accordion and trombone respectively to their repertoires. In 1996 Willey (on bass guitar), and Perry (singing) joined Thinking Plague, a Denver-based avant-rock group, and Mike Johnson (guitar) and Mark Harris (reeds) of Thinking Plague joined Hamster Theatre. In 1998, a new version of Hamster Theatre, Willey (accordion), Stubbs (trombone), Johnson (guitar), Harris (reeds), Mike Fitzmaurice (bass guitar) and Raoul Rossiter (drums), recorded their first album, Siege on Hamburger City live at Mercury Café in Denver.[1] Hamster Theatre's next album, Carnival Detournement was released in 2001. It was a studio album with Willey and Stubbs playing several instruments, and also included Harris, Johnson, Fitzmaurice, Rossiter, LaLiberte and McCoin. Carnival Detournement was well received by critics "for its melodic, atmospheric, moody, and unpredictable blend of modern classical, avant rock, and European folk influences".[1]

In August 2002, Hamster Theatre performed at the first Progman Cometh festival in Seattle, Washington. The same lineup was used as for Siege on Hamburger City, except for Brian McDougall replacing Fitzmaurice on bass guitar.[1] Most of their performance, with mixing and mastering by Bob Drake, appears on the second CD of their double-CD, The Public Execution of Mister Personality / Quasi Day Room: Live at the Moore Theatre, released in 2006. The first CD of the album consists of studio recordings of compositions by Willey and Stubbs, also mixed and mastered by Drake.[2] A reviewer at AllMusic called the album "a landmark two-disc studio/live set proving that the European RIO-based sounds of the '70s and '80s have taken root and can sprout up almost anywhere, even in the post-millennial Rocky Mountain State."[2]

Further bassist changes in Hamster Theatre took place in the 2000s, with Matt Spencer replacing McDougall, Eric Thorin replacing Spencer, and John Grigsby replacing Thorin.[1] Hamster Theatre performed at ProgDay in North Carolina in September 2006,[1] and appeared in the documentary Romantic Warriors II: A Progressive Music Saga About Rock in Opposition (2012),[5] and the companion Romantic Warriors II: Special Features DVD (2013), where they were filmed performing at the Alexander Dawson Arts School in Colorado in 2011.[6]

• Siege on Hamburger City (1998, CD, Cricetus)
• Carnival Detournement (2001, CD, Cuneiform Records)
• The Public Execution of Mister Personality / Quasi Day Room: Live at the Moore Theatre (2006, 2xCD, Cuneiform Records)

Source: AllMusic[7]

• Romantic Warriors II: A Progressive Music Saga About Rock in Opposition[5]
• Romantic Warriors II: Special Features DVD[6]