Hanson Milde-Meissner
Hansom Milde-Meissner (1 April 1899, in Habelschwerdt – 14 July 1983, in Baden-Baden)[1] was a German composer of film scores.[2] He began working on films in 1929 at the beginning of the sound era and was active for the next three decades, particularly during the Weimar and Nazi periods.
Hansom Milde-Meissner | |
|---|---|
| Born | 1 April 1899 |
| Died | 13 July 1983 (aged 84) |
| Other names | Johannes Paul Friedrich Milde; Hansom Milde-Meißner |
| Occupation | Composer |
| Years active | 1929–1959 (film) |
Selected filmography
- The Night Belongs to Us (1929)
- There Is a Woman Who Never Forgets You (1930)
- The Night Is Ours (1930)
- Hans in Every Street (1930)
- Fire in the Opera House (1930)
- Mädchen in Uniform (1931)
- Louise, Queen of Prussia (1931)
- This One or None (1932)
- Love at First Sight (1932)
- Gitta Discovers Her Heart (1932)
- Life Begins Tomorrow (1933)
- Trouble with Jolanthe (1934)
- Ich für dich, du für mich (1934)
- Sergeant Schwenke (1935)
- The Dreamer (1936)
- If We All Were Angels (1936)
- The Roundabouts of Handsome Karl (1938)
- The Four Companions (1938)
- Yvette (1938)
- Shoulder Arms (1939)
- The Gasman (1941)
- Alarm (1941)
- I'll Carry You in My Arms (1943)
- No Place for Love (1947)
- Three Girls Spinning (1950)
- Ripening Youth (1955)
References
- Hansom Milde-Meißner, filmportal.de
- Giesen p. 196
Bibliography
- Giesen, Rolf. Nazi Propaganda Films: A History and Filmography. McFarland & Company, 2003.
External links
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