Hares on the Mountain

In this theme the singer imagines what would happen if young maidens (or in some cases young men) were transformed into various creatures or plants, and describes the response of the opposite gender:

If maidens could sing like blackbirds and thrushes [sung twice]

How many young men would hide in the bushes?
Sing fal-de-ral, tal de ral, fal-de-ral-day.[2]

"If all those young men were as rushes a growing,

Then all those pretty maidens will get scythes go mowing".[3]

The imagined transformations include hares on the mountain, sheep in the meadow, reeds a'growin', and others. One more modern version goes:

If all the young ladies were little white rabbits
And I was a hare, I would teach them bad habits".[4]

There is a nonsense refrain which varies from singer to singer.

This section starts as a dialogue between two young lovers, demonstrating his incompetence and her initial caution and subsequent willingness (if somewhat blunt at times):

Now the door it is bolted, I cannot undo it x2[5]

"Oh, now" she replied, "you must put your knee to it".

Sing fol-de-rol-i-do, sing fol-de-rol-day.

Most versions involve him cutting knots (at her instigation) in either his breeches or her "small things", hence the title:

"Now your small things are tight, love, and I cannot undo them". [sung twice]

"Oh, now" she replied, "there's a knife in the window"."

Sing fol-de-rol-i-do, sing fol-de-rol-day.[5]

The song usually ends with the couple in bed together:

He took off his breeches and into bed tumbled [sung twice]

I'll leave you to guess how this young couple fumbled

To me whack fol the diddle di do, to me whack fol the diddle day

though one version, collected in Virginia from Asa Martin and titled "Lightning and Thunder", ends with the birth of a baby:

The knife it was got and the britches cut asunder [sung three times]

And then they went at it like lightnin' and thunder.
Sing fol-de-rol-day.

Well the babe it was born and they did all wonder [sung three times]
That it hadn't a-been killed by lightnin' and thunder.

Sing fol-de-rol-day.[6]

A number of more explicit versions of this song have been collected under the title "Roll Your Leg Over".[7]

In this reworking of more risque versions of the song like "Roll Your Leg Over me" the narrator dreams that he "went a-crawling and a-creeping And I crawled in the room where my baby was sleeping". She wakes up and screams, he is arrested and sentenced to nine months in jail. Each verse ends in the phrase "And I never want to do it again." or something similar. The song ends with a warning:

Listen here, young men, when you're sleeping

Don't never get the habit of crawling and creeping
And going in the room where your baby is sleeping

You'll never want to do it again.[8]

A tune for the song was published under the name in The Complete Collection of Irish Music by George Petrie, published in London in 1902, under the title "If All the Young Maidens were Blackbirds and Trushes" (sic).[9] No chap book or broadside ballads have come to light containing verses from either the "Hares on the Mountain" or the "Knife in the Window".[2]

The Roud Folk Song Index includes 27 versions collected from English singers. These are mainly from Southern England and East Anglia, with a single version from Yorkshire. The index lists 13 distinct versions from the United States, of which seven are of the "Crawling and Creeping" type and three seem to be of each of the other motifs. There are two Canadian versions, both of the "Knife in the Window" type.[1] (It isn't always possible to distinguish the types of this group of songs as some versions combine elements of the "Hares on the Mountain" and "Knife in the Window" types and collectors may use the same title for all examples they collect.)

Cecil Sharp collected many versions in the South of England, including one from a John Barnett of Bridgewater, Somerset in 1906[10] which he published in his Folk Songs From Somerset, seemingly the source of many popular recordings of the song.

Dozens of traditional versions of the song have been recorded, including two versions available on the British Library Sound Archive: a Yorkshire version recorded by Steve Gardham and sung by Dorothy Bavey[11] and a Somerset version recorded by Bob Patten and sung by Charlie Showers.[12] Other recorded versions by traditional singers include a striking rendition of "Hares on the Mountain" by Northamptonshire singer Jeff Wesley[13] and a version of "Knife in the Window" by Suffolk singer Harry List.[14]