In the Beginning There Was Rhythm (album)

In the Beginning There Was Rhythm was released by Soul Jazz Records on January 28, 2002.[2] The album was released on compact disc and vinyl record.[3]

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
The Guardian	[4]
Muzik	[5]
Pitchfork Media	(9.3/10)[6]

From contemporary reviews, Andy Kellman of AllMusic found that the album "does a spectacular job of combining the known with the not so known" and that the album showcased "post-punk's breadth, showcasing within the grooves, jabs, and rattling waves of static the style's influences (disco, funk, reggae, Krautrock, electronic experimentation) and the styles that the style influenced (indie rock, post-rock, almost every stripe of dance music that followed) at the same time."[2] Kellman felt that "one might bemoan the exclusion of Public Image Limited, Associates, the Normal, Magazine, or other bands crucial to the ideology, there's no denying that In the Beginning There Was Rhythm is a great gateway into this expansive, fruitful, trailblazing era."[2] Chris Dahlen of Pitchfork praised the album stating that "Every track on this album cooks with the excitement of musicians trying new things." and "doesn't have a single limp tune" while stating "If there's anything's wrong with the disc, it's that it's too short; the story of post-punk could take up several box sets. The disc comes with 35 pages of liner notes, but the record itself doesn't tell a story or connect the songs. Many bands got left out, and it would also be interesting to hear how the bands developed-- for example, to watch the early Human League with its craptronic keyboards and all-guy line-up grow into the band that created the synth-pop masterpiece Dare."[6] Garry Mulholland of The Guardian gave the album a four-star rating, stating "to the ranting agit-prop commitment of Gang of Four and Pop Group. In the Beginning is essential missing-link history - and body-rockin' fun".[7] In Muzik, ther reviewer "TM" gave the album a five out of five out of five rating, calling it "a choice selection [...] from the fertile post-punk period" when "bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst." concluding the album was "Fantastic. Listen and learn."[5]

Track listing adapted from back of album sleeve and liner notes.[1]

Track listing adapted from back of album sleeve and liner notes.[8]

• Stuart Baker – compiler, sleeve notes
• Adrian Self – compiler
• Jon Savage – editing
• Pete Reilly – mastering
• Duncan Cowell – mastering
• Sir Dan Flea – design
• B.Uttocks – design
• Pierce Smith – repro man
• Angela Scott – licensing