Irish Journal

Irish Journal is the English title of a travelogue from Heinrich Böll. It was first published in 1957 under the German title “Irisches Tagebuch” (Irish Diary) and appeared ten years later in English translation. It has shaped the German perception of Ireland for decades and continues to be influential.

Structure and making of the book

Origin in a series of newspaper articles

The Irish Journal consists of 18 short chapters, that are at best loosely connected and describe the author’s experiences on the Achill Islands and other parts of Ireland. Most chapters of the book are based on individual articles (“Irish Impressions”) that had been published from 1954 onwards in German newspaper Frankfurter Allgemeine Zeitung. From early date on there were intentions to eventually transform these articles into a book. For the book a considerable number of articles were shortened and rewritten into a first-person narrative. Moreover, some chapters were newly created, of which the first one (Arrival I) is the most noteworthy.[1]

Importance of the newly created first chapter

The first chapter (Arrival I) carefully sets the tone for the entire book. It prepares the reader for the immersion into a different world and already touches on important recurring themes like religion, poverty and emigration and a culture of drinking and caring. However, it also illustrates that not everything is always is as genuine as it seems to be on first sight. An emigrated woman who openly confesses that she does not longer believe in god, also makes clear that she would never dare not to go to church when she visits her family back in Ireland. To this situation is referred in later chapters as a warning that there might be more than meets the eye. Such reflections are not included in the original newspaper articles and might reflect the author’s more sophisticated encounter of the country over the years.[2]

Components

The Irish Journal consists of the following 18 chapters:

  1. The Arrival I (new chapter written for the book)
  2. The Arrival II
  3. Pray for the Soul of Michael O’Neill
  4. Mayo – God Help US
  5. Skeleton of a Human Habitation
  6. Itinerant Political Dentist
  7. Portrait of an Irish Town (Limerick in the Morning / Limerick in the Evening)
  8. When God Made Time
  9. Thoughts on Irish Rain
  10. The Most Beautiful Feet in the World (new chapter written for the book)
  11. The Dead Redskin of Duke Street
  12. Gazing into the Fire
  13. When Seamus Wants a Drink
  14. Mrs. D.’s Ninth Child
  15. A Small Contribution to Occidental Mythology
  16. Not a Swan to Be Seen (mostly new chapter written for the book)
  17. In a Manner of Speaking
  18. Farewell


Moreover, the book has an iconic disclaimer, through which the author denies the absoluteness of his point of view.

 "This Ireland exists: but whoever goes there and fails to find it has no claim to the author."
 "Es gibt dieses Irland: Wer aber hinfährt und es nicht findet, hat keine Ersatzansprüche an den Autor."

The English translation of 1967 (translated by Leila Vennewitz) is amended by a foreword and an epilogue. In the short foreword Böll explains the need of an epilogue, where he can address intermediate social and economic changes:[3]

 "The Ireland described in this book is that of the mid-1950s.
  My comments on the great changes that have taken place in that country since are contained in the epilogue."

Atypical travelogue structure and controversial title

Unlike the original series of articles or indeed typical travelogues, the Irish Journal lacks any chronological and geographical order, as Böll restructured the order of the original articles heavily for the book.[4] This results for example in a chapter of the single author traveling through Dublin, that is followed by a chapter, where the same man is accompanied by his family on the way to the Achill Islands. Because of this lack of obvious structure, the chosen title perceived as counterintuitive and heavily discussed.[5] Furthermore, it is suggested that the use of the word “diary” instead of “journal” might be closer to Böll’s intended interpretation of the German “Tagebuch” as personal account.[6] Although other titles have been discussed during the formation phase of the book, the motif of a journal/diary reoccurs in the articles throughout the years.[7]

Arguable similarities to the structure of Joyce’s Ulysses

Böll had a deep knowledge (and admiration) for the Irish literature. John Millington Synge, Jonathan Swift and Seán O'Casey are repeatedly referred to in the Irish Journal. Moreover, it is argued that the structure of his Irish Journal was inspired by James Joyce Ulysses. From the beginning, Böll was determined to have likewise 18 chapters. Like Ulysses his book has two beginnings and at least figuratively stretches over one day, as the last chapters reverse movement of an orange milk jug from the second chapter suggests. Additionally, both books have a change of perspective in chapter four and the style of Böll’s last chapter almost resembles the monologue of Ulysses’s last chapter.[8]

Reception

When it was published in 1957 in Germany, the Irish Journal was immediately very successful and well received.[9] Böll’s contemporary German author Carl Zuckmayer found the Irish Journal to be one of the “most beautiful and worthy books written in the last fifty years”.[10]

Until today Böll’s book is considered “cult book” that has personally influenced almost every scholar on Irish-German connections as well as more than a generation of tourists. In Germany alone it has been sold more than two million times. Furthermore, the book has been translated into at least 17 languages.[11] Scholars continue to engage with the book and its 50th anniversary has particularly demonstrated its ongoing relevance, when the Irish Journal frequently became a point of reference to trace Ireland’s changes of half a century. The most popular homage is Hugo Hamilton’s “Die redselige Insel – Irisches Tagebuch (The Island of Talking – Irish Journal) of 2007. This book updates Böll’s impressions and not only the title is intended to remind of the original Irish Journal; the iconic disclaimer is also demonstratively resembled:

Dieses Irland gibt es. Und sollte man dorthin reisen und es nicht finden, dann hat man nicht gut genug hingeschaut.
(translation: This Ireland exists. And should one travel there and not find it, then they have not looked closely enough."

The reception in Ireland was initially limited because of German as publication language. It was also rather negative, especially once it was translated into English.[12]

References
  1. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. p. 56. ISBN 1-4438-3801-2.
  2. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. p. 57. ISBN 1-4438-3801-2.
  3. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. p. 55. ISBN 1-4438-3801-2.
  4. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. p. 58. ISBN 1-4438-3801-2.
  5. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. p. 61. ISBN 1-4438-3801-2.
  6. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. p. 62. ISBN 1-4438-3801-2.
  7. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. p. 63. ISBN 1-4438-3801-2.
  8. Böll, Heinrich (2005). Böll, Viktor (ed.). Werke 1956-1959, Kölner Ausgabe X. Kiepenheuer&Witsch. p. 649.
  9. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. p. 54. ISBN 1-4438-3801-2.
  10. Carl Zuckmayer (1968). Reich-Ranicki, Marcel (ed.). In Sachen Böll. Kiepenheuer & Witsch. pp. 67–71.
  11. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. p. 133. ISBN 1-4438-3801-2.
  12. Holfter, Gisela (2012). Heinrich Böll and Ireland. Cambridge Scholars Publishing. pp. 122–124. ISBN 1-4438-3801-2.
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