Jaime Davidovich

Davidovich began exhibiting his paintings in 1956 in Argentina, Brazil, and the United States. Interested in space and texture, he experimented with the boundaries of visual artworks first by dissolving the structure of the painting's frame by affixing canvas to walls and then by installing works directly on walls, floors, stairways, and sidewalks.

Adhesive tape came to figure prominently in Davidovich's work, initially as a means to affix canvas to walls and subsequently as an artistic medium itself; he would go on to exhibit throughout Argentine museums and art galleries, as well as in Iowa, New York, Ohio, Belgium, Brazil, Colombia, Cuba, France, Germany, Iran, Italy and Spain; he resided in New York City until his death.[1]

The emergence of portable video equipment in the late 1960s dovetailed with Davidovich's existing interest in minimalism and the aesthetics of line. Davidovich's single channel video works "Road" in 1972 and "3 Mercer Street" in 1975 are some of his earliest video art explorations. These works are noteworthy because of their institutional backing; "Road" was produced with the assistance of the Akron Art Institute in Ohio and "3 Mercer Street" was made possible by a grant from the Creative Arts Public Service (CAPS) program. Davidovich then went on to create video installations, including his "Evita" works developed between 1984–1992 and "Inside and Between" a 1996 work shown at El Museo del Barrio in New York City.

When cable television emerged in the mid-1970s, Jaime Davidovich was one of the first artists to recognize its potential for the contemporary arts. In 1976 he helped establish Cable SoHo. A year later he established the Artists Television Network, a nonprofit organization established to explore the artistic potential of broadcast television and encourage the dissemination of video art through a commercial broadcast medium. The organization produced television programming under the name SoHo Television, a Project of the Artists Television Network, and broadcast on Manhattan public-access television cable TV. Programming included video art, early music videos, performances and interviews with artists including Laurie Anderson, John Cage and Richard Foreman among many others. The organization ceased production in 1984.

Davidovich is perhaps best known for his work on The Live! Show, a weekly public-access television program with a variety show format that appropriated the formal norms of television along with avant-garde performances, artwork, political satire, and social commentary. The program featured interviews and performance work by visiting artists, including Laurie Anderson, Eric Bogosian, Tony Oursler, Stuart Sherman, and Michael Smith, along with musical performances, ersatz commercials, and viewer participation via live call-in segments. Presiding over the show's disparate collaborative elements was Davidovich’s own satirical character, Dr. Videovich, a self-proclaimed "specialist in curing television addiction,” whom the New York Times television critic John J. O’Connor described as “a persona somewhere between Bela Lugosi and Andy Kaufman.” [6] The show also featured commercials for Videokitsch, commercially produced items and art multiples made by Davidovich and others. Of The Live! Show, one critic notes, "Davidovich’s humor obviously transcends his medium, resulting in a comment as potent today as one assumes it was in 1972—harnessing new media to capture what is 'real' and 'true' is an artistic act both vitally important and profoundly absurd."[7]