Jalaja (1938 film)

Jalaja or Natya Mahimai (transl.Jalaja or The Glory of Dance) is a 1938[1] Indian Tamil-language film written by Manjeri S. Eswaran, Dr. V. Raghavan and G. K. Seshagiri. The film was directed by R. R. Gautham and G. K. Seshagiri and produced by Sagar Renaissance Theatre.[2] The film stars G. K. Seshagiri and Bhanumathi[lower-alpha 1] in lead roles. The film marks the beginning of India’s first film centered entirely on dance.[2] It is also dedicated to Bhanumathi’s aunt,[3] Srimathi Varalakshmi, who died before the completion of the film. No print of the film is known to survive, making it a lost film.[4]

Jalaja
an Advertisement for Jalaja
Original titleஜலஜா அல்லது நாட்டிய மஹிமை
Directed byR. R. Gautham
G. K. Seshagiri
Produced byG. K. Seshagiri
Screenplay byManjeri S. Eswaran
Dr. V. Raghavan
G. K. Seshagiri
Story byManjeri S. Eswaran
Dr. V. Raghavan
G. K. Seshagiri
StarringBhanumathi
G. K. Seshagiri
Music byA. N. Kalyanasundaram
CinematographyRajinikanth Pandya
Meenu Billimoria
Edited byFakir Mohammed
Production
company
Distributed byGeneral Film Distributing Co.
Release date
  • 1 January 1938 (1938-01-01) (India)[1]
LanguageTamil

Cast

Crew

  • Story, Dialogue: Manjeri S. Eswaran, Dr. V. Raghavan, G. K. Seshagiri
  • Producer: G. K. Seshagiri
  • Direction: R. R. Gautham, G. K. Seshagiri
  • Assistant Directors: Manjeri S. Eswaran, R. S. Moorthy
  • Lyrics, Music Direction: A. N. Kalyanasundaram
  • Photography: Rajinikanth Pandya, Meenu Billimoria
  • Audiography: V. M. Desai, Dinshaw Billimoria, Rupan Moses
  • Settings: Roora Mistry
  • Laboratory: Gangadhar Naverkar, Pranchavan Shukla
  • Editing: Fakir Mohamed[2]
  • Choreography: S. Shanmugam[6]

Production

The film was produced by Sagar Renaissance Theatre and directed by R. R. Gautham and G. K. Seshagiri. G. K. Seshagiri played the hero, Rajagopalan, while Varalakshmi of the Varalakshmi-Bhanumathi duo was hired to play the heroine, Jalaja. Production began in 1937 in Bombay and on 3 November, Varalakshmi died suddenly.[4] Her niece Bhanumathi whose real name was Kumbakonam Bhanumathi was asked to replace her role, which she accepted.[3] The film had a second title, Natya Mahimai meaning the glory or greatness of dance.[2][4][7] K. S. Gopalakrishnan, a congress party worker turned film director played the Mudaliar.[2] He is often confused with another film director, K. S. Gopalakrishnan.[8] Bhudo Advani, a Bengali actor played one of the Mudaliar’s servants.[2] The story and dialogues were written by Manjeri S. Eswaran, Dr. V. Raghavan and. G. K. Seshagiri. Photography was handled by Rajinikanth Pandya and Meenu Billimoria. Editing was done by Fakir Mohammed.[2] Although there is no choreographer listed in the song book, Film News Anandan credits S. Shanmugam as the dance choreographer.[6] Hari Krishnan believes that S. Shanmugam is actually Shanmugasundara Nattuvanar of Thiruppanandal, who was an associate of Vadivelu Pilai, the duo’s choreographer before he died in 1937.[4]

Soundtrack

The music was composed by A. N. Kalyanasundaram who wrote the lyrics as well.[2][6] The singers were Kokilam, Pankajam, Bhanumathi[lower-alpha 1], Lakshmi, K. S. Gopalakrishnan[lower-alpha 2] and Rukmani. There were 8 songs in the film of which most were dance pieces.[4]

A. N. K.'s Orchestra[2]
No.SongSingerRagamThalamMusic/Lyrics
1Ennemakilum IdhuvaraiyilumKokilamBegadaThriputaiA. N. Kalyanasundaram
2Kanne Varai Thungave IppoPankajamSindhu BharaviAdi
3Innum Thayavu Vara IllaiyaLakshmi, BhanumathiKhamasAdi
4Ananda NatesaBhanumathi, K. S. Gopalakrishnan
5Aadum Arase NadinenunaiKokilam
6Kadhalai Arindhor SadhalaiBhanumathi
7Adhuvum Seivar Avar AnegamKokilam
8Theruvil Varano Ennai SarneRukmani, K. S. GopalakrishnanKhamasRupakam

Reception

Jalaja was released on 1 January 1938.[1] According to Hari Krishnan, "there is no information about how Jalaja fared at the box office. Regardless, the success of the film provides us with new perspectives on thinking about the ways in which Bharathanatyam was circulating in the period [during the 1930s] immediately following the work of the [Madras] Music Academy and [Rukmini Devi] Arundale." In an August 1938 Filmindia magazine, Baburao Patel reports that, "Jalaja failed to draw and people in town think that it was due to bad direction. The story is reported to be weak and a bad selection of artistes is also given as a reason."[9] In September of the same year, Patel continues with, "the original Jalaja is now expected to be revived after a number of changes." [10] No print of the film is known to survive, making it a lost film.[4]

Notelist

References

  1. "Jalaja". moviebuff.com. Retrieved 20 May 2020.
  2. Jalaja or Natya Mahimai (song book) (in Tamil). Devi Press Ltd., Madras. 1938.
  3. Ramani, V. V. (26 November 2011). "Styles, past and present: Documentary on Kumbakonam Bhanumathi". The Hindu. Archived from the original on 21 May 2020. Retrieved 26 September 2017.
  4. Krishnan, Hari (2019). Celluloid Classicism (in Tamil). Wesleyan University Press. pp. 105–116. ISBN 9780819578884. Retrieved 20 May 2020.
  5. "Kumari Rukmani" (PDF). Natchathra Malai (in Tamil): 22–23. 1947.
  6. Film News Anandan (2004). Sadhanaigal Padaitha Thamizh Thiraipada Varalaru [Tamil film history and its achievements] (in Tamil). Chennai: Sivagami Publishers. Archived from the original on 25 June 2020.
  7. "Kumbakonam K. Bhanumathi". sangeetnatak.gov.in. Retrieved 23 May 2020.
  8. Guy, Randor (26 December 2008). "Panakkari 1953". The Hindu. Archived from the original on 25 July 2017. Retrieved 20 May 2020.
  9. Patel, Baburao (August 1938). "Filmindia". 4 (1): 126. Retrieved 6 June 2020. Cite journal requires |journal= (help)
  10. Patel, Baburao (August 1938). "Filmindia". 4 (1): 195. Retrieved 6 June 2020. Cite journal requires |journal= (help)
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