Jean Pierre Lefebvre

Jean Pierre Lefebvre studied literature at the University of Montréal and taught for two years at the Jesuit-run Loyola College in Montreal (now part of Concordia University). He began writing as a film critic, first for Quartier Latin, then for Séquences and Objectif.[2] He directed his first film, a short drama, then three independent features. He joined the National Film Board of Canada and made two films, including the 1968 feature Mon amie Pierrette, co-starring Raôul Duguay and produced by Clément Perron.[3] Lefebvre was then asked to head the NFB's French-language fiction studio. He began its Premières Oeuvres series, designed to make low-budget shorts and features. Four features and a number of shorts were produced within a year before the initiative was terminated, and Lefebvre left to form his own production company, Cinak, with his wife and editor, Marguerite Duparc. He writes and produces all his own films.[4]

Lefebvre was one of the first Canadian filmmakers to receive international acclaim for his work; his film Don't Let It Kill You (Il ne faut pas mourir pour ça) (1967) was the first Canadian film to be invited to the Cannes Film Festival.[4] He proved to be successful again at Cannes when he received the International Critics' Prize for Les fleurs sauvages (1982) and his film Le jour S... (1984) was screened in the Un Certain Regard section.[5] Les dernières fiançailles (1973) won the prestigious Prix de l'Organisation catholique internationale du cinéma in 1974.

Il ne faut pas mourir pour ça (1967), Le Vieux pays où Rimbaud est mort (1977), and Aujourd'hui ou jamais (1997) make up his Abel Trilogy; three feature films starring the recurring character of Abel Gagné played by Marcel Sabourin.

In 1991, he was made an Officer of the Order of Canada "for his innovative and high-quality feature films".[6] In 1995 he was awarded the Prix Albert-Tessier. In 2013, Lefebvre received a Governor General's Performing Arts Award.[7]

• Jean Pierre Lefebvre at IMDb