Jeremy O. Harris

Harris grew up in a military family, moving often before settling in Martinsville, Virginia. He has since lived in Chicago, Los Angeles, and New York.[6] He attended the Carlisle School in Martinsville, Virginia.[7] Harris studied toward a Bachelor of Fine Arts in acting from The Theatre School at DePaul University in 2009 but was cut from the program after a year.[8] He graduated with a Master of Fine Arts in playwriting from the Yale School of Drama in 2019.[6][9][10][11]

He took a role in the play Jon at the Steppenwolf Theatre Company.[6] He worked as an actor in Chicago, then moved to Los Angeles to further his career. There he began a collaboration with musician Isabella Summers that resulted in the play Xander Xyst, Dragon 1; the play was produced at ANT Fest 2017 in New York.[1][12] He had a residency at the MacDowell Colony, where he wrote the play “Daddy”, in which a young black artist (Franklin) becomes involved with an older European art collector (Andre).[1][6][13] “Daddy” served as Harris's writing sample when he applied to the Yale School of Drama, where he began studies in the fall of 2016.[6]

While still at Yale, Harris wrote Slave Play. It was produced at Yale in October 2017,[14] and won the Lorraine Hansberry Playwriting Award and the Rosa Parks Playwriting Award at the 2018 American College Theater Festival.[15] It was then produced off-Broadway at the New York Theatre Workshop under the direction of Robert O'Hara in 2018, Harris's first professional production as playwright. The play addresses sexuality and racial trauma in America. It begins with interracial sexual violence on a slave plantation in the American South and continues in present-day America at a sex therapy retreat for interracial couples. The couples include black participants who are no longer able to receive pleasure from their white partners. The white partners have a blind-spot about the role that race plays in their relationships. Critic Jesse Green summarized the play's message, saying "that one race lives with history each day while another pretends not to."[16] Though critically acclaimed, the play drew ire from those who found the play's content disrespectful of African-American's history.[17][18]

In 2018, Harris was awarded the Paula Vogel Playwriting Award, which includes a residency at the off-Broadway Vineyard Theatre.[19] In 2019, The New Group and the Vineyard Theatre co-produced a revised version of Harris's earlier play, “Daddy”, starring Alan Cumming.[1] Reviewer Christian Lewis called the play "a bold, experimental, political, and important work of theater that will not soon be forgotten."[20] New York Times reviewer Ben Brantley noted some excellent performances, but found the dialogue "endless and circular and repetitive" and the play too "cerebral."[13]

In June 2019, to mark the 50th anniversary of the Stonewall riots, sparking the start of the modern LGBT rights movement, Queerty named him one of the Pride50 “trailblazing individuals who actively ensure society remains moving towards equality, acceptance and dignity for all queer people.”[21][22]

In November 2019, an experimental work entitled Black Exhibition, credited under the pseudonym @GaryXXXFisher, debuted at the Brooklyn theater Bushwick Starr.[23] Using Ntozake Shange's term choreopoem to describe its structure, Harris combines language and movement in a work that centers on five characters: San Francisco writer Gary Fisher, Kathy Acker, Yukio Mishima, Samuel R. Delany, and Missouri college athlete Michael L. Johnson.[24]

Harris is a co-author on the screenplay for the forthcoming film Zola, directed by Janicza Bravo. The film follows a road trip that results in sex-trafficking, and is based on a real-life Twitter thread. He also still acts.[1]

In early 2020, Harris signed a deal with HBO, and is developing a pilot as well as becoming a co-producer for season 2 of Euphoria, after consulting on the first season.[25] More recently, he set $50,000 commissions for new stage work.[26]

As of 2020, O. Harris has pledged and redistributed a significant portion of his earnings from collaborations with the fashion industry and an HBO deal to The New York Theater Workshop, libraries across the United States, and microgrants to the Bushwick Starr theatre in New York.[27]

For the New York Theater Workshop, O. Harris has created two $50,000 commissions for new works by Black women playwrights. He produced streaming for both “Heroes of the Fourth Turning” and “Circle Jerk,” donated a collection of plays by Black writers to one library in each of the 50 states, plus Washington, D.C., Puerto Rico, and Guam, and pledged various fees and royalties from “Slave Play” to fund $500 microgrants, administered by the Bushwick Starr theater, to 152 U.S.-based playwrights.

O. Harris has sent a letter to President-elect Biden, urging him to revive the Federal Theater Project, and then used an appearance on “Late Night with Seth Meyers” to push that show’s host to rally support for the idea.[28]

Harris is Black and gay.[5] Interviews frequently mention Harris's physical appearance, including his 6 ft 5 in (1.96 m) stature,[6] and what GQ called his "dandyish style."[29]

• Xander Xyst, Dragon 1 (2017)
• Slave Play (2018)
• "Daddy": A Melodrama (2016, revised 2019)
• Water Sports; or, Insignificant White Boys (2019)
• Black Exhibition (2019)

• Paula Vogel Playwriting Award, 2018[19]
• Lotos Foundation Prize, 2018[30]
• Rosa Parks Playwriting Award, 2018[15]
• Lorraine Hansberry Playwriting Award, 2018[15]

• LGBT culture in New York City
• List of self-identified LGBTQ New Yorkers
• Hari Nef
• John Golden Theatre
• Isabella Summers
• Nimrod Kamer

• Schama, Chloe (February 15, 2019). "Jeremy O. Harris Is One of the Most Promising Playwrights of His Generation". Vogue. Retrieved March 21, 2019.
• Clement, Olivia (December 2, 2018). "Meet Playwright Jeremy O. Harris, Making His Mark With 2 World Premieres Off-Broadway". Playbill. Retrieved March 21, 2019.

• Official website