Jeremy Taylor (singer)

Jeremy Taylor (born 24 November 1937 in Newbury, Berkshire) is a retired English folk singer and songwriter who has spent much of his life in South Africa, originally as a teacher of English at St. Martin's School, Rosettenville in southern Johannesburg.[1] Since 1994, he has lived in Wales and France.[2] After attending the University of Oxford,[3] Taylor became a folk singer in South Africa, remembered for his single "Ag Pleez Deddy".

Jeremy Taylor
Born (1937-11-24) 24 November 1937
OriginNewbury, Berkshire, England
GenresFolk
Occupation(s)Singer-songwriter, humorist, poet, political commentator
InstrumentsGuitar, vocals
Years active1961–2008
Associated actsSpike Milligan, Alun Davies
Websitejeremytaylormusic.com

Much of his success came from songs that started in live performances, incorporating comedy. Taylor performed songs that questioned social problems in apartheid South Africa. South African kids, both Afrikaans and English speaking, grew up with songs like "Ag Pleez Deddy" — so much so that it still immediately gets a smile when folks hear even a few of its notes and it remains a sure-fire way to find "seffricans" anywhere in the world.

Musical career

South Africa

Taylor began performing in clubs and coffee-bars such as the Cul de Sac in Hillbrow, Johannesburg in the 1960s, and succeeded with the comedic song "The Ballad of the Southern Suburbs" [of Johannesburg], also known as "Ag Pleez Deddy", in 1961. The song, written for the stage show Wait a Minim!,[4][5] was a surprise hit. In performance in Chicago, he explained that while teaching South African children English, he was "enchanted" by their patois and their lust for Western European luxuries like Pepsi Cola, Canada Dry, Eskimo Pie, popcorn, chewing gum and flicks like Tarzan, and other products.

Taylor mimicked their accent in the song, in which a child begs his father to take him to different places and buy these treats. It was frowned upon by parents and the government because the song mixed English and Afrikaans – a practice of which the Nationalist government disapproved, feeling all languages should be kept "pure". This was one reason Taylor was required to leave the country.[6] This mixing of languages led to Taylor's songwriting being described as "doing for South African English what [David] Kramer was doing for Afrikaans".[7]

However, it remained popular with children in South Africa, selling more than any Elvis Presley single in South Africa.[8] Also in the early sixties he contributed to the successful musical revue Wait a Minim!, performing several of his own compositions.[9] His archival material was donated to the Hidden Years Music Archive preserved by the Documentation Centre for Music, Stellenbosch University, in 2017.

Folk music

After returning to Britain in 1964 to perform in Wait a Minim! in the West End, he joined the British folk music circuit and appeared on television. Later in the 1960s, he taught at Eton College while a political exile.[8]

Taylor had a own series of six folk-style shows entitled "Jeremy Taylor", supported by the house band Telephone Bill and the Smooth Operators, broadcast between 15 May and 19 June 1980 from the BBC's Shepherd's Bush theatre. The guests included Barbara Dickson, Alan Price, Spike Milligan, Kenny Baker, Pam Ayres, Peter Skellern and Isla St Clair. After befriending folk-rock singer-songwriter Cat Stevens, and his friend and guitarist, Alun Davies, Taylor helped Stevens translate one of his songs, "O Caritas", into Latin for an album, Catch Bull at Four. One of Taylor's albums was Record producer by Davies. Davies guested on a couple of the songs, but was uncomfortable with playing two roles on another person's album, saying to Melody Maker, "You can't put yourself in two places at once and get the best results."[10]

Some of Taylor's popular songs are: "Jobsworth", "Huberta, the hippopotamus", "The Pot Song", "Mrs Harris" and "Prawns in the Game". His "Piece of Ground" was recorded in the United States by Miriam Makeba. However, his albums never reached most of the American music audience.

He was a long-term collaborator and performer with Spike Milligan, and recorded a live album with him entitled Spike Milligan and Jeremy Taylor: An Adult Entertainment. This was recorded at Cambridge University on 2 December 1973 and released as a double LP entitled Spike Milligan with Jeremy Taylor Live at Cambridge University. It was later re-issued as a two-CD set.

He continued to write songs and perform into the 21st century, in the United Kingdom, France and in the United States. In 2005 he recorded an album in Chicago, Live in Chicago.

Discography
  • Ag, Pleez Daddy (Ballad of the Southern Suburbs) (1962)
  • Always something new out of Africa (1966) with Andrew Tracey and Paul Tracey
  • His Songs (1968)
  • More of His Songs (1970)
  • Piece of Ground (1972)
  • Jobsworth (1973)
  • Done at a Flash – Recorded Live at the Cherry Trees Motel, Alcester (1978) with Alun Davies
  • Come to Blackpool (1974(?))
  • The Very Best of Jeremy Taylor (1996); Reissue in (2004)
  • Live in Chicago (2005)
  • Spike Milligan and Jeremy Taylor: An Adult Entertainment[3]

Publications
  • Ag Pleez Deddy!: Songs and Reflections. J. Taylor Pub. 1992. ISBN 978-0-620-17142-7. (Now out of print)

References
  1. "SA Rock Digest". Retrieved 15 November 2017.
  2. Jeremy Taylor 3rd earmusic.com
  3. New York Times, 27 July 1962, "Folksong a Hit in South Africa"
  4. "FOLK SONG A HIT IN SOUTH AFRICA; Parody by Oxford Graduate Spreads to Other Lands (Published 1962)". The New York Times. 22 July 1962. ISSN 0362-4331. Retrieved 14 December 2020.
  5. Heywood, Christopher (18 November 2004). A History of South African Literature. Cambridge University Press. ISBN 978-0-521-55485-5.
  6. "Jeremy Taylor: South Africa mustn't despair". popspeaking.com. Retrieved 15 November 2017.
  7. Gaylard, Rob (1 November 2011). "David Kramer: a biography". South African Theatre Journal. Taylor & Francis Group. 25 (3): 252. doi:10.1080/10137548.2011.674718. eISSN 2163-7660. ISSN 1013-7548.
  8. Byerly, Ingrid Bianca (1996). The music indaba: Music as mirror, mediator and prophet in the South African transition from apartheid to democracy (PhD thesis). North Carolina: Duke University.
  9. Lucia, Christine (26 March 2009). The World of South African Music: A Reader. Publishing. pp. 94–95. ISBN 978-1-4438-0779-1.
  10. Plummer, Mark Melody Maker, 16 September 1972 Davies the Guitar
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