Jo Thomas

Jo Thomas is a composer, sound artist, producer and performer of electronic music based in London.[1] She works primarily with electronic sound, with a focus on fine detail and abstraction combining technological, biological and emotive thematic elements.[2][3][4] Her work utilises a wide range of sound sources including field recordings, voice, glitch, and synthesised sounds from various sources, including her own self-built instruments.[5]

Jo Thomas in 2012 at Prix Ars Electronica, Linz, Austria

She has released on record labels including Entr'acte, NMC and Holiday Records.[6][7] Her work has been performed internationally, working with organisations in Italy, France, California, Brussels, Switzerland and Australia.[8]

Thomas has performed alongside artists including Will Dutta, Lara Jones, Charles Hayward, Maria Chavez, Lee Gamble, Phill Niblock and Squarepusher.[9] In 2012 she was awarded the Prix Ars Electronica Golden Nica prize in the category of Digital Musics and Sound for her work Crystal Sounds of a Synchrotron.[10]

Early life and education

Thomas was born in 1972 in Aberystwyth, Wales. She has a BMus and MMus from Bangor University and gained a PhD from City University, London in electro-acoustic composition in 2005.[9][11]

Career

In 2011 Thomas created the piece Crystal Sounds Of A Synchrotron using sounds recorded at Diamond Light Source, the UK's national synchrotron light source facility in Harwell, Oxfordshire. The work was composed directly from frequencies generated by the particle accelerator and also uses binaural recording from locations inside Diamond’s experimental hall, storage ring and beamlines.[12] She was awarded the 2012 Prix Ars Electronica Golden Nica prize in the category of Digital Musics and Sound Art for Crystal.[10][13]

In 2015 Thomas was commissioned to create a large-scale sound installation as part of the 800th anniversary celebrations of the Magna Carta. The resulting work Agna Rita was installed at The Collection museum in Lincoln for the Frequency Festival of Digital Culture.[14] The work combines musical and sonic elements and uses the frequency, rhythm and text from the Magna Carta, exploring a union of medieval modalities and digital contemporary artefacts.[15]

The 2017 documentary film Little Tsunamis directed by Toby Clarkson features Thomas as one of three sound artists alongside Chris Watson and Daniel Wilson.[16][17]

In 2018 Thomas created a new commissioned work for the touring Synth Remix project (2018). The piece, titled Nature's Numbers, is based on the work of Daphne Oram and Delia Derbyshire at the BBC Radiophonic Workshop.[5][18] The project made use of the 2016 realisation of Oram's Mini-Oramics machine, created by Tom Richards, with Thomas as one of the composers chosen to pilot its use.[19]

In 2020 Thomas was commissioned to create a new musical work In A Still Place to be played on sculptural sound installation Speaking Tubes by IOU Theatre, Halifax. The piece explores different states of stillness whilst acknowledging sometimes rapid change.[20]

In 2007 she was commissioned by Ports of Call to compose an audio trail inspired by the history of Silvertown, London.[21][22] She runs a soundwalking project in North London with her own label Soft Apple.[23]

Album Discography
  • 2010 Alpha (Entr'acte)
  • 2012 Nature of Habit (Entr'acte)
  • 2013 Mermaids (Holiday Records)
  • 2015 Sunshine Over Nimbus (Ptyx)
  • 2015 Agna Rita (Occupied Silence)
  • 2017 Random Feathers (Soft Apple)
  • 2017 Agna Rita (Soft Apple)

References
  1. "Projects:Meet our new Chair and Vice Chair of Trustees". www.soundandmusic.org. Sound And Music. Retrieved 2019-08-19.
  2. University, London South Bank. "Artists". www.lsbu.ac.uk. Retrieved 2020-12-25.
  3. "April 2019 – upcoming London experimental gigs – Sonic Imperfections at Telegraph Hill Festival with Darkroom, Handäoline, Jo Thomas and Minus Pilots (5th) and your chance to jump into some more of their Festival work yourself (13th)". Misfit City. 2019. Retrieved 2020-12-25.
  4. Davies, Sam (May 2012). "Jo Thomas: Vocal tics". The Wire. 339: 12.
  5. Baker, Joanne (2018-11-16). "The Doctor Who theme and beyond: female pioneers of electronic music". Nature (563): 470–471. doi:10.1038/d41586-018-07439-1. ISSN 1476-4687.
  6. "Jo Thomas | British Music Collection". britishmusiccollection.org.uk. British Music Collection. Retrieved 2019-08-19.
  7. "Thomas, Jo | NMC Recordings". www.nmcrec.co.uk. NMC Recordings. Retrieved 2019-08-19.
  8. "Jo Thomas". British Music Collection. 2009-04-04. Retrieved 2020-12-25.
  9. "SPARCfest 2018: Jo Thomas and Atau Tanaka | City, University of London". www.city.ac.uk. City University. Retrieved 2019-08-19.
  10. "Crystal Sounds of A Synchrotron". prix2012.aec.at. Prix Ars Electronica. Retrieved 2019-08-19.
  11. Jo Thomas (Welsh-language Wikipedia page)
  12. "Crystal Sounds of a Synchrotron". British Music Collection. Retrieved 2020-04-02.
  13. "Jo Thomas awarded Prix Ars Electronica Golden Nica". The Wire. No. 339. 2012-05-09. Retrieved 2019-08-19.
  14. "Agna Rita". British Music Collection. Retrieved 2020-04-02.
  15. "Frequency Festival". The Collection (Lincolnshire). 2015. Retrieved 2020-04-02.
  16. "Little Tsunamis". littletsunamis.net. Retrieved 2019-08-19.
  17. "Little Tsunamis – Bangkok Underground Film Festival 2018". bangkokundergroundcinema.com. Retrieved 2019-08-19.
  18. "Synth Remix – _REMIX". www.classicalremix.org. Classical Remix. Retrieved 2019-08-19.
  19. Cox, Phoenix Fry / Sarah. "Student builds Daphne Oram's unfinished 'Mini-Oramics'". Goldsmiths, University of London. Retrieved 2020-12-25.
  20. "Jo Thomas | Articles | IOU Theatre". www.ioutheatre.org. Retrieved 2020-06-27.
  21. "Ports of Call". www.portsofcall.org.uk. Retrieved 2020-07-31.
  22. De Nardi, Sarah; Orange, Hilary; High, Steven C; Koskinen-Koivisto, Eerika (2020). The Routledge handbook of memory and place. ISBN 978-0-8153-8630-8. OCLC 1121479735.
  23. "Jo Thomas | Composer commissioned for Speaking Tubes". IOU Theatre. June 2020. Retrieved 2020-12-26.
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